Giving Tuesday: Why Theatre Matters

As your inbox and social media has surely notified you by now, today is GivingTuesday — a global generosity movement that unleashes the power of people and organizations to transform their communities and their world.

 As we approach the end of 2019, we felt Giving Tuesday was the appropriate time to look back, not just at the year that was, but way back to what made us who we are today. We, the Ensemble, want to share with you our personal stories of why theatre matters to us and, in turn, to others.

 We know this time of year you are bombarded with requests from very worthy organizations and some of them are literally saving lives on a day-to-day basis, but theatre can also sometimes make a life or death difference in a person's life. Here’s how. 

Giving Tuesday is a chance to talk about our values and why we care so much about the work that we do. Thank for listening, for caring and for Giving.

Raise a glass to help Ghostlight

District Brew Yards in West Town is hosting Ghostlight Ensemble on Wednesday, Nov. 20, from 3 p.m. to 10 p.m. for its Cents for Causes.

Come drink with the Ensemble, get to know us, learn more details on what we have planned for this season and find out how you can be involved (if that’s your cup of tea)! District Brew Yards donates 10 cents per ounce of beer you buy to Ghostlight.

District Brew Yards, 417 N. Ashland Ave. in Chicago, is a pour-your-own-beer tap room. The cashless beer hall offers brews from Burnt City Brewing, Around the Bend Beer Co. and Bold Dog Beer Co., and serves barbecue, in case you’d like some smoked meats to compliment your drink.

We can’t wait to see you all!

Tickets on sale for The Selfish Giant

Actors have begun rehearsals for The Selfish Giant, which runs in June at Otherworld Theatre in Lakeview.

Tickets are on sale now for The Selfish Giant, a physical theatre production that will mesmerize audiences of all ages.

This story of a giant who builds a wall to keep children off his land runs during the month of June at Otherworld Theatre and is geared toward all ages.

Tickets are available through Brown Paper Tickets and are $5 for children, $10 for adults or $25 for a family of four.

You can also obtain tickets through our Go Fund Me Campaign. The Garden, Ogre, North Wind and Giant levels all come with tickets to the show, along with a host of other goodies. Learn more Becoming a Generous Giant for Children's Theatre here.

Based on Oscar Wilde's short story of the same name, The Selfish Giant illustrates the perils of isolation and the negative consequences of selfishness, but it also teaches us that it is never too late for redemption and for love.

Donate to children, earn a reward!

Did you know we’ve put together some very special gifts for the donors to our The Selfish Giant fundraiser? From growing your own garden to headshots and more.

Read all about the show here and then go donate here.

By donating you help keep our ticket prices affordable for all families in Chicago.

Levels include:

$25 GARDEN LEVEL: Start your own urban garden with a Grow Your Own Garden Kit and receive a ticket to the show, as well as thanks in our program.

$50 OGRE LEVEL: Join cast members and the director of The Selfish Giant after a performance for apple pie and milk and to learn more about physical storytelling. Bring your kids (or you friends’ kids) so they can learn how to turn everyday objects into props to create their own plays at home. Plus: A ticket to the show, as well thanks in the program

$75 NORTH WIND LEVEL: Get a headshot session with our company photographer who will offer you one look (a.k.a. outfit, but a variety of expressions within that one outfit) and guarantee a photo you’re happy with, or you’ll get a makeup session. You get all the photos from the session on a disc to use as you wish without watermarks. This offer is regardless of whether you’re an actor looking for fresh headshots, one of our business friends looking to spruce up your LinkedIn page or an animal lover looking for a professional photo of your pupper (did we mention, this wasn’t limited to humans!) Plus two tickets to The Selfish Giant, as well as thanks in the program

$100 or more GIANT LEVEL: A Nightlight Gift bag, featuring your choice of a Nightlight T-shirt or tote bag, among other items, plus two tickets to The Selfish Giant as well as thanks in the program.

Support Ghostlight in March by grabbing dinner at Panera!

 On Thursday, March 21, make plans for dinner with us at Panera at 501 S. State St. in Chicago.

Bring in a copy of this flyer or show an electronic version of it anytime between 4 p.m. and 9 p.m. on Thursday, March 21, and Ghostlight will receive 20 percent of sales from your order.

You can dine in, get it to go or have it delivered. If you’re ordering online for rapid pick-up or delivery, make sure to enter "PRFUND" as your Promo Code to have a portion of your proceeds donated to Ghostlight.

Can't wait to see you there!

Tipsy Time: The Holidays are here!

Tickets are on sale for our late night Holiday Cabernet set for Friday, December 14 at My Buddy's.

Enjoy an evening of holiday classics (or not-so-classics) by favorite G.E.T. (that's Ghostlight Ensemble Theatre) performers, emerging artists and surprise guests in a cabaret-style setting hosted by everyone's favorite foul-mouthed Ghost of Christmas Spirits Past, Present and Future, Miz Caitlin Jackson.

The evening includes a wide variety of acts ranging from musical to clown to more traditional theater. And it wouldn't be the Holiday Cabernet without a good dose of holiday cheer in a glass. So get into the holiday spirits and join us for a late night of song, theatre, good cheer and revelry.

G.E.T. yule holiday fun on!

Next up: Oh My Godddddd!!: A Troll 2 Live Reading

Ghostlight Ensemble presents the next installment of its ongoing live movie reading series: Oh My Godddddd!!: A Troll 2 Live Reading.

 Join us at 7 p.m. on Tuesday, October 9, 2018, at My Buddy's (4416 N Clark St., Chicago, IL 60640) to kick your season of Halloween celebrations off to a frightful start — not because the movie is scary, just scary bad.

Troll 2 is a 1990 horror film that has nothing to do with trolls or the movie to which its title claims to be a sequel. The plot concerns a family pursued by vegetarian goblins who seek to transform them into plants so that they can eat them. It is widely considered to be the worst film ever made.

The reading is directed by Christopher Paul Mueller.

There is a suggested donation of $5 at the door, which will help Ghostlight fund its upcoming season. Costumes are encouraged.

Thanks to everyone who attended Make A Move & The Bunny Gets It

We had a full house for our live reading of Con Air last night at Carbon Arc Bar & Board. Thank you to everyone who attended and who donated to Chicago Veterans.

If you weren't able to attend, but want to donate to this local charity, which helps veterans readjust to civilian life (OR if you did attend and want to give more money to the cause), you can donate through the organizations website at ChicagoVeterans.org.

Our next Live Reading will be in July (exact date TBA) and we'll bringing the cult hit film The Sandlot to life in celebration of the 25th anniversary of its release.

Shopping Amazon? Do it with a Smile

Shopping on Amazon this month? Help Ghostlight in the process.

Go to smile.amazon.com/ch/81-3409965 between now and March 31, and Amazon will donate a portion of your sale to Ghostlight Ensemble Theatre Company. And if it's your first AmazonSmile purchase, Amazon is tripling it's usual donation amount to 1.5 percent of your total purchase price.

Best of all, there is no added cost to you.

Cup of Ambition: A 9 to 5 Live (Movie) Reading

Ghostlight Ensemble presents a special Woman's History Month installment of its ongoing live movie reading series: Cup of Ambition: A 9 to 5 Live (Movie) Reading.

Join us at 7:30 p.m. Thursday, March 15, at the Celtic Crown (2356 W Cullom Ave, Chicago, IL 60618) in North Center, as we fight sexual harassment and discrimination in the back room of a bar.

9 to 5 follows three female office workers who get revenge on their tyrannical, sexist boss by abducting him (after realizing they hadn't just killed him — it'll make more sense if you just come to the reading) and running the business themselves.  Please note, this is a reading of the MOVIE starring Jane Fonda, Lily Tomlin and Dolly Parton, not the inevitable musical adaptation that came later.

There is a suggested donation of $5 at the door, which will help Ghostlight fund its upcoming season, AND an additional donation (we suggest another $5) for GirlForward, a North Side non-profit organization that mentors adolescent refugee girls and provides educational programs and leadership opportunities.

Why Theatre Matters To Us: Maria Burnham

Maria Burnham, back row left, in Ghostlight's You've Got READ on You: A Shaun of The Dead Live Reading.

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.

Maria Burnham, Marketing Director, Ensemble Member

"'So THAT's where you get it from.'

"It was a warm summer night. We were at a restaurant on the beach with my aunt's family and some friends. My mom and her sister were reminiscing about a film my mom had been in that had been playing on TV all week and...'Wait. Dad, did Thea Anna just say mom was in a film?'

"'No,' answered my dad. 'Your mother was a folk dancer that traveled the world, but I don't think she ever acted.'

"But it turned out that, in fact, my mother had been a film actress in her native Greece and in neighboring Italy — an occurrence that began as an extension of her dancing. When we finally heard the whole story that night, my dad looked at me recognition dawning on him and said, ''So THAT's where you get it from.'

"Theatre and acting had been a part of my life in some way since elementary school, becoming more so once I went to a performing arts magnet school in high school and then studied theatre (and English AND journalism) in college. My attraction to the arts was always a sense of bafflement to my working-class family that excelled in technical skills and mathematics, but had never seen a play until I came along. And now, here was the answer. I had inherited this thing with the arts.

"The revelation that acting was a hereditary trait, that there was this entire history of myself that I didn't know was unsettling. What else didn't I know about the past that made me? But it was also comforting. Theatre connects me to my family history in a way that old photos do not. That I could literally be the same person that my mother had been by taking on a role, that we both understood what it meant to create new people and new worlds, that acting had led my mother to be in Athens when my father was in Athens resulting in my actual existence? Well, now, that's something that, say, engineering could never give me."

http://www.ghostlightensemble.com/get-funding-fundraiser

Why Theatre Matters To Us: Holly Robison

Holly Robison, second from left, at a production meeting for Ghostlight's 2016 festival of new works, "Six Authors in Search of a Character."

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.
 

Holly Robison, Co-Artistic Director, Ensemble Member

"When I was in the second grade, I played a bunny who choked on a cookie.  I remember that I prepared. We didn't have to memorize our lines, but I was the only kid who did. While it seemed all that was expected was to step forward and read our lines, I thought about how to create the moment, how to choke on the cookie — how to bite the cookie like a rabbit would, the timing of the bite, when to say my line, when to start coughing, etc. I was a painfully shy kid and usually went out of my way to avoid attention  — to avoid talking to people at all, really  — but, man, was I into creating that character. All that scary stuff went away because I had to be a bunny, and I had a cookie to choke on, darn it. I loved it. (OK, full disclosure: repeated teacher-sanctioned cookie consumption may have contributed to my 8-year old joy. But really, that is still part of the joy — those silly, fun, crazy things you get to do and learn as actor. ) 

"Even though it was many, many years before I fully realized and embraced that part of myself, I know now that this was probably the first sign that I was a 'theatre person' at my core. It's my first memory of a love for performance, for crating a character, for telling a story."

Why Theatre Matters To Us: Jaclyn Jensen & Mike Wozniak

Jaclyn Jensen and Mike Wozniak at the Ghostlight Launch Party in 2016.

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.

Jaclyn Jensen, Audience Development Coordinator, Ensemble Member
Mike Wozniak, Visual Design Specialist, Ensemble Member  

"Our first date started with Mike in the audience for one of Jackie's shows. Sure, sure, there was dinner and drinks and a romantic rooftop patio, too. But it started in a theatre. That 'theatre' may have been the upstairs of a punk rock bar, but for that show, it was the perfect theatre.

"Our relationship continued with Mike seeing Jackie's shows and being her biggest fan. But seeing shows together became something that really brought us closer together. Being able to connect after sharing these experiences, seeing how shows affect each other, seeing where our perspectives align or not... we learn more about each other.

"A few years ago we took a leap and actually wrote a play together  — neither of us are playwrights. But we created something together and it was a highlight in our relationship. And we are looking forward to future projects!

"Whether on stage, back stage, or in the audience, theatre gives you an opportunity to really connect."

http://ghostlightensemble.com/get-funding-fundraiser

From our Artistic Directors: Thank you for an amazing 2017!

Six Authors in Search of a Character

As we approach the end of the year, we at Ghostlight Ensemble are not only celebrating the final days of 2017, but also the final days of our G.E.T. Fundraiser.  We are beyond grateful for the support we've received so far and we hope more of you will join the fun before our fundraiser ends December 31.

In the summer of 2016 we were 10 people gathered in a Northside apartment asking, “What do we want to do?” “What do we want to call ourselves?” and “What sort of theatre company do we want to be?” One main stage production, two holiday shows, five live movie readings, one Fight Night, one short play festival and a year and a half later, we are proud to say Ghostlight Ensemble is the kind of company brave enough and curious enough to do just about anything — to bring you the unexpected. We have accomplished so much in so little time and we couldn’t have done it without you, our audiences, donors, artists, volunteers and subscribers. Thank you!

Nutcracker Nightmare

This is only the beginning, though. As we look to the new year, we have so much more we want to do, so much more entertainment we want to bring you and we hope you’ll join us in bringing it to life.

In the spring we are producing the Oscar Wilde's classic play about political corruption and personal integrity, An Ideal Husband, directed by Co-Artistic Director Holly Robison. In the summer we inaugurate our Nightlight summer children’s series with our production of Maria Burnham’s original script, The Princess Without Pots, a story about a warrior princess trying to gain her independence and a decidedly un-warrior prince trying to save his kingdom.

Be a part of what's to come. You helped make us the Best New Theatre Company in Chicago in 2017, now help us bring the unexpected to Chicago.

— Holly Robison & Michael Wagman
Co-Artistic Directors

Why Theatre Matters To Us: Miona Lee

Miona Lee, center, in Ghostlight's production of "Six Characters in Search of an Author."

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.

Miona Lee, Literary Manager, Ensemble Member

 
"I’ve always struggled with allowing people to know the real me. Call it social anxiety, call it trust issues stemming from childhood, whatever. That fact is, I’m not comfortable around people and don’t share much of myself with others.

"I could tell you a cute story of how when I was in fifth grade I played a Marilyn Monroe version of Mrs. Claus complete with feather boa and caught the theater bug. But really, I found performing was the perfect escape from myself. I found slipping into someone else’s skin liberating. I didn’t have to bare my soul to others.

"Through the years I’ve played my fair share of Queens, fairies, villains, misguided actresses, sisters, wives, girlfriends and the occasional warrior. Each time, I burrowed into these characters to find out what it is they might be hiding from others. Sharing these flawed characters to an audience has allowed me to open up more in my own life. It’s OK that I’m flawed, there are people out there that will accept me no matter what.

"For me, theater is much more than telling important stories that remind us we’re all connected. It’s my way of slowly learning to accept myself and trust that others will do the same. "

http://ghostlightensemble.com/get-funding-fundraiser

Why Theatre Matters To Us: Michael Wagman

Michael Wagman, center, in Ghostlight's 2016 production of "Krampus!"

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.

Michael Wagman, Co-Artistic Director, Ensemble Member

"All throughout my childhood I was the shy kid in the corner. I just assumed most people didn’t care what I thought or how I felt. In the broad scheme of grade school life I simply didn’t matter. My greatest joys came when I was by myself. Reading a book, watching a movie or working on a project. The greatest validation I found was from the joy I got doing these often lonely activities. Getting into my early and mid-teens I began a string of artistic endeavors. First it was tap dancing, then poetry, then short story writing, songwriting and oil painting (my parents’ favorite). All the while from seventh to ninth grade I also played on the golf team, but the validation I got from these activities never gave me a sense of community. I still didn’t fit in. I enjoyed the activities but rarely did I feel a close bond with the people.

"Then in eighth grade, on a total whim, I auditioned for and got cast in my school’s middle school/high school production of Pippin. After that I acted in the middle school production of Joseph and the Amazing Technicolor Dreamcoat. I had a great time doing both and according to parents, teachers and students alike I seemed to be pretty good at it. 

"In ninth grade my golf game hit a slump and I was demoted to caddy duty until my game picked back up. Even though I wasn’t the biggest fan of all my teammates, I loved playing the game and was frustrated beyond measure that outlet was being taken away from me. Then one day at morning assembly Mrs. Haulmark, the theatre director, announced that someone had dropped out of the production of Dracula and they needed a replacement. She said if anyone was interested they should speak to her. 

"The stars seemed to have aligned. I’d had fun doing theatre the previous year and I’d liked Mrs. Haulmark and all the actors and techies. As an eighth-grader in Pippin I’d gotten to work with freshman and seniors alike, and our ages had never seemed to matter. We were all treated with respect as long as we did our part to make the production the best we could. And most importantly I had fun.  Instead of doing my art behind closed doors there was something freeing and intimate about sharing my interpretation of a character in front of people onstage. 

"All my life I’d been hiding from people, assuming what I thought and felt didn’t matter. In theatre I could be onstage and what I thought and felt could be the only thing that mattered. If I did it well, what I thought and felt could keep an audience at the edge of their seats. I could feel important."

https://www.ghostlightensemble.com/get-funding-fundraiser 

Why Theatre Matters To Us: Keith Gatchel

Keith Gatchel working the booth for Ghostlight's 2017 production of Gingerbread Grindhouse.

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.

Keith Gatchel, Technical Director, Ensemble Member

"'What is it that you do?' my childhood friend asked me a few months into Freshman year of high school. My dad had moved my brother and me to a new, separate school, and this was one of the few chances we had to hang out anymore. 

"Everyone had asked me that since the year started, to see what I was going to do to make friends. I had not put much thought into this. I wasn't an introverted child, but I liked my alone time.

"People suggested theatre to me, because I've always had an active imagination. But, it always seemed like it was (I thought) too girly and that I would (I thought) get made fun of.

"But on TV I always liked shots of the control booth, and they were always punching buttons. So, one day, I showed up to my high school scene shop after school, around 3:20 p.m. A little after 4 p.m., I left. The next day, the same. After a few more times, I stopped showing up – all that set- building was hard work.

"The fall play came and went. My dad and I saw it and walked out at intermission. High school theatre, on average, tends not to impress. But, still, they all seemed to be having a lot of fun. Where else do you get to dress up, be silly, and fulfill an elective. But, it seemed too late to go back. They'd remember me quitting. Everyone had already made their friends and wouldn't take any more (I thought).

"Christmas break came and went.

"I don't remember why I was in the cafeteria several hours after school, but one of the guys from the scene shop and I started making small talk. He suggested that I come help with the show, moving sets. It was all I needed to get back in.

"I spent that weekend, then weekday evenings, in tech rehearsal and then the following weekend working the show. I felt accepted there, even though I didn't know anyone.

"That weekend ended last, but I wanted more.

"The next day I showed up back to the scene shop, and, as I'm sure you can predict: I skipped out after an hour. The next day, the same. By the next day, the scene shop teacher finally called me out: 'Keith, if you're going to do something, do it.'

"I thought to myself at that moment, 'What if this is the thing I don't quit? What if I just kept doing this until I can't anymore?'

"That moment will be 20 years ago in January. I haven't quit yet.

"I've asked myself often since if the only reason I've stayed in theatre is because of my dumb, stubborn, self. That's partially true. But, theatre distracts you while you socialize. It gives you a project two of you can work together on while you get to know each other. You forget your weird awkward self and relax, with a community that's made for putting yourself out there. You build friendships while you build a show.

"Three and half years later, I was off to college, ready to start on my BFA in technical theatre. I didn't worry about making friends at that point. I just waited for classes to start."

http://ghostlightensemble.com/get-funding-fundraiser

Why Theatre Matters To Us: Jean E. Burr

Jean E. Burr (right) as Clara the rag doll in Ghostlight's 2017 production of "Nutcracker Nightmare."

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.

Jean E. Burr, Casting Coordinator, Ensemble Member

"When I was 2 years old, I wanted to be a lion. I would roar at the lions when we went to the zoo (I’m sure they loved that), I would read and re-read my Zoobooks issue all about African cats, I’d play with my lion figurines, developing stories that I can only compare to Young & the Restless: Simba Edition.

"I did all of this, not only because I was a weird kid, but because I watched Disney’s The Lion King. I saw it in theatres… nine times. I listened to the soundtrack constantly and knew that my calling in life was to become a true, African wild cat.

"As I grew up, I realized my dream could never be a reality. I could never turn into a lion a la Animorphs and sing Elton John songs as I slept on a giant kopje with my lion friends.
"Or so I thought.

"When I entered pre-school, I was well over my desire to actually become a lion, but I quickly fell into pretend games with other children. We played Sailor Moon (I was always Sailor Jupiter, thankyouverymuch), Aladdin (I settled for the role of Rajah- not quite a lion, but close enough), Thumbelina (titular role, duh), or our own adventure games on the playground. My imagination ran wild.

"Our pre-school put on the show Peter Pan. I remember being pulled aside after school and offered the role of Wendy. Being the brat that I am, I accepted but told my mom I really wanted to play Tinkerbell. She talked some sense into me and I grew more and more excited. We probably only rehearsed a few days, but it felt like a month-long rehearsal process with clear actions, beats, scene-work, relationships, drama, complete with a show-crush on our Peter Pan.

"The performance was, in my memory, the most magical thing in the world. I felt so happy to be performing in front of my family and peers, and so proud when all of my scenes were well-received. I remember 'walking the plank' before Peter saved me, and thinking to myself, 'I LOVE this.' Afterwards, I received praise and hugs, and I felt like a giant, glowing ball of happiness in a blue nightgown costume. From lions to playground to Peter Pan, I found what I wanted to do. My brother had his sports, and I had theatre. And it would be a giant part of my life from that moment and for the next 22+ years.

"Theatre gave me purpose. It gave me empathy. It helped me form bonds and friendships from pre-school to adulthood. It helped me find my way to my home, Chicago. It gave me hope when I was lost in my late teens and early twenties. It helped me find a partner. It helped me find my place. Without theatre, I would be lost. With it, I can be anything, even a lion."

https://www.ghostlightensemble.com/get-funding-fundraiser

Why Theatre Matters To Us: Chad Wise

Chad Wise (center) as Chet in Ghostlight's 2016 production of "Krampus!"

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.

Chad Wise, Managing Director, Ensemble Member

"After being big fish in a little pond in high school, I got to college and didn't know what to do. My parents insisted I have a 'fall back on' degree so I chose to be an education major, with theatre as a focus. But because of the education requirements, I couldn't go deep into the theatre classes I really wanted to take. So while I performed a lot, I didn't really have much of a path or the opportunity to discover a path. Then came In The Flesh.

"For Christmas my sophomore year I was gifted my choice of tickets to a show playing in Chicago. Being a Central Illinois boy and not knowing what I was doing, I poked through the newspaper (this was 1992 after all). There was the traditional fare, musicals, Shepard, etc. But nothing reached out and grabbed me. Until I saw Clive Barker's name. I had discovered the movie Night Breed the previous year and was enamored. So I chose a production of In The Flesh at the Organic Theater (back when they were on Clark Street).

"Up until this show I admittedly hadn't seen or experienced much theatre. The usual high school stuff (Grease, Little Shop of Horrors) mixed in with some edgier stuff by a great drama teacher (The Diviners, Breaking the Code) and then a year and a half worth of college theatre. But nothing had really jumped out at me yet. This show did. Set in a prison with a supernatural undercurrent, the palpable fear and anxiety I felt in the small studio theater was a far cry from singing along to Greased Lightning. And it affected me deeply. More than anything, it showed me that theatre had the capacity to trigger strong emotions in people beyond the usual joy and sadness and empathy. That a small space could be a help rather than a hindrance. And that the only way to truly do a genre justice is to embrace it completely.

"That show informed most of my choices from then on. It led me into directing and producing. When it came time to start a theatre company it inspired our mission. And to this day, giving people a new and different experience in the dark is the guiding force behind what I do. An app on your phone will never truly affect you like an actor staring straight at you from a few feet away. This is why I do theatre. Life is about experiencing new experiences. Theatre lets me do that for a room full of people every time the lights dim."

http://ghostlightensemble.com/get-funding-fundraiser

Why Theatre Matters To Us: Lisa Uhlig

Ghostlight is sharing our personal stories of why theatre is so important to us and, in turn, to others. We hope you'll feel inspired to support the arts now and forever more.

Lisa Uhlig (far left) as the Stage Manager in Ghostlight Ensemble's production of "Six Characters in Search of an Author."

 
Lisa Uhlig, Director of Operations, Ensemble Member

"I was always a ham, the goofball, the candy-crazed kid growing up. Then I hit middle school, and that was TOUGH (we've all got our stories). So by the time I made it to high school, I was still that goofball/candy freak, but only to a select few. Otherwise I was that shy kid in the corner. That's where theatre came in. I found I had a knack for set design and an eye for stage pictures (directing). It was my high school technical director who gave me my first chance to push my comfort zone, to try something new within a safe space. He handed me a list one day and said 'I think you can organize getting all this done.' The faith he had in me encouraged me to excel. I was teaching others the ropes of the shop in no time.

"So I guess that's what theatre has often done for me, and what I believe it does/can do for others, show us what we're really capable of and encourage us to embrace and utilize it — a sense of agency."

http://www.ghostlightensemble.com/get-funding-fundraiser