Monday, February 5, 2024

Up Next: A Live Reading of The Big Sleep


Ghostlight Ensemble continues its monthly movie reading series in 2024 with Such a Lot of Guns and So Few Brains: A Live Reading of The Big Sleep on Thursday, February 15. 

Join us at 7 p.m. at Black Eagle Club (1938 W Irving Park Rd, Chicago, IL 60613), as we raise our glass of brandy with champagne to this headscratcher of a detective story and try to figure out whodunnit.

The Big Sleep is a 1946 American film noir starring Humphrey Bogart as wisecracking private detective Philip Marlowe and Lauren Bacall as Vivian Rutledge in a story that begins with blackmail and through a series of complicated plot twists leads to multiple murders.

More information is available on the show page. 

Wednesday, January 10, 2024

Ghostlight welcomes new member to its Ensemble

Theatre practitioner and artist Christine Marie has joined Ghostlight Ensemble. 

Originally from Pennsylvania, Marie was last seen as Ada in The Edge of Play, as part of Ghostlight’s Make/Believe festival and as a vendor at the Holiday Cabernet holiday market. In addition to acting and visual arts, Marie is also a writer, director, producer, stage manager and designer. Since moving to Chicago, she has also written, directed and starred in 2 Idiots in a Haunted House for Rhino Fest, as well as working behind the scenes on numerous productions, including staffing box office, stage managing and designing sets. 

To learn more about Marie, and all our Ensemble members on the About Us: The Ensemble page of our website.

Monday, January 8, 2024

Up Next: A live reading of The Breakfast Club


Ghostlight Ensemble kicks off a new year of live movie readings with Does Barry Manilow Know That You Raid His Wardrobe?" A Live Reading of The Breakfast Club on Thursday, January 25, 2024.

Join us at 7 p.m. at Black Eagle Club (1938 W. Irving Park Rd., Chicago, IL 60613), as we sneak some cigs in the supply closet and agree that Ally Sheedy looked much better before her “makeover”.

The Breakfast Club is the era-defining, classic 1985 American teen coming-of-age film written, produced and directed by John Hughes. Five strangers, with seemingly nothing in common, end up together in Saturday detention and throughout the course of the day shed their personae and emerge into unlikely friendships.

The live reading is directed by Chad Wise.

There is a suggested donation of $5 at the door, which will help Ghostlight fund its upcoming season.

Tuesday, May 16, 2023

Power of believing in one’s self takes center stage for Ghostlight's Make/Believe theatre festival for young audiences in May, June


An ant who wishes to explore the world beyond her family’s territory, a grandmother and granddaughter superhero duo and a helpful house spirit are among the cast of characters found in the fourth installment of GhostlightEnsemble’s Make/Believe short play festival for young audiences this year.

Ghostlight is excited to feature five new plays for young audience members to enjoy this summer with their family and friends, said festival producer Caryn Brieschke. For the first time more than half the plays are by local playwrights.

“These stories are fun for children to watch, but are also crucial to helping them understand the increasingly complex feelings they develop as they grow older and providing them with tools to deal with complicated situations they may find themselves in,” Brieschke added.

Filled with the power of believing in yourself, new adventures and family bonds, the five stories that make up this year’s festival are filled with characters who face the types of struggles modern children will recognize from their own lives. 

This year’s plays include:

  • The Thing That Comes to the Basement is written by Chicago playwright Lori Taylor and directed by Lo Williams. In The Thing That Comes to the Basement, Camilla Antie, an 8-year-old ant, discovers that just because someone looks different than you, does not mean they are frightening or that they cannot become your friend. Starring: Courtney Marie, Sydney Ray and Hannah Strauss.
  •  Hannah and Halmoni Save the World! is written by Chicago playwright Juliet Kang Huneke and is directed by Karina Patel. By day, Hannah is a 7-year-old girl who lives with her Korean American grandma. But by night, grandma transforms into a SUPERHERO named Halmoni (that’s the Korean word for grandma, if you were wondering)! But when it’s Hannah’s turn to be the hero, not the sidekick, can she step up and save the day? Hannah and Halmoni Save the World champions asking for help, self-forgiveness and super awesome theme songs for the young AND old among us. Starring: Rick Hilscher, Kristen Lin Waagner and Emily Zhang.
  • The Edge of Play is written by Utah playwright Janine Sobeck Knighton and directed by Eileen Tull. The Edge of Play tells the story of Ada, an imaginative 8-year-old girl who loves slides but gets really nervous around other kids. With help from her unique friend Mo, she learns that it’s OK to need a little extra help and support to do the things that scare you the most. Starring: Christine Marie and Kaela Rosenbaum.
  • Finding Belief is written by Portland playwright Kwik Jones and directed by Kate Sullivan Coombs. Even with encouragement from her father, Ivy, a young girl discouraged by her tennis match losses, lives in a world of doubt – that is until Dunlop, her tennis racket, comes to life and ushers her on a short journey to rescue her Belief from the evil tennis ball, Doubt. Ivy must find courage to save Belief. With the help of the audience will Ivy find and save Belief? Starring: Alexis Aranda, Josh Bomba, Nick Conrad and Rissa Montañez.
  • Guardian of the House (Τόπακας) is written by Chicago playwright and Ghostlight Ensemble Member Maria Burnham and directed by Whitney Minarik. A young girl, tired of all the new chores she has to do since her little sister arrived, learns the value of family and sticking together from the genii of her house. Steeped in Greek folklore, Guardian of the House will feature traditional Hellenic storytelling and puppetry. Starring Rose Leisner and Gina Sanfillipo.


Make/Believe is scheduled to take place on Saturday, May 27; Sunday, May 28; Saturday, June 3 and Sunday, June 4, at 1:30 p.m. at NorthCenter Town Square (4100 N. Damen Ave., Chicago).

 All five plays will be produced on each day of the festival at the NorthCenter Town Square – an outdoor space in the heart of the NorthCenter neighborhood. Audience members are encouraged to bring their own chairs and picnics. The show is free, but donations are always appreciated. However, some limited reserve seating is available via Eventbrite.

 Make/Believe is produced by Caryn Brieschke and is made possible, in part, by a grant from the Illinois Arts Council Agency and by support from the NorthCenter Chamber of Commerce. More information will be available on our website at www.ghostlightensemble.com/make-believe-2023.

Make/Believe is part of Ghostlight’s Nightlight young audience series, which features original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Ghostlight Ensemble is a registered 501(c)3 nonprofit theatre whose mission it is to ask questions that challenge the status quo through timeless stories, immersive environments and unconventional staging. As an ensemble-based theatre, Ghostlight is made up of individual artists who are dedicated to collaborative creation and committed to working together consistently over years to develop a distinctive body of work. We welcome you to learn more about us at GhostlightEnsemble.com.

 

Wednesday, October 12, 2022

Call for scripts: Seeking short children's plays for 4nd annual Make/Believe festival

Ghostlight Ensemble is seeking short scripts (a maximum of 15 minutes) that are geared toward young audiences. Priority will be placed on scripts that are ethnically and culturally diverse, and written by writers of color and/or LGBTQ writers. This is open to playwrights in any geographic area, though writers in the greater Chicago area will receive priority. NO FEE.

Playwrights will receive $25 per selected script.

Selected plays will be produced in the late spring of 2022 as part of the fourth annual Make/Believe festival of theatre for children under our Nightlight banner. (Learn more about the 2020 festival, the 2021 festival and the 2022 festival with these links.) The performances will be held live, with a location or locations TBD.

Please pay close attention to the script requirements. Scripts that do not meet the following criteria will not be considered.

Requirements

  • A maximum of 3 actors per script. There are no restrictions, however, on the number of characters. Please note, that while some directors have chosen to use child actors in past pieces, the intent of this festival is to perform for children, not with children.
  • Plays must have minimal to no technical demands, as there is a possibility these plays will be performed outside and/or in multiple locations. There may be no lighting or backstage area, although minimal sound cues will be available.
  • Must fit our mission.
  • Geared toward children 11 and under. Please, NO scripts about high school students.
  • All props, set pieces and costumes must be easily made at home by actors (and children watching who want to stage their own productions at home).
  • Pieces can be previously produced, but cannot have a production running concurrently with Make/Believe.

Electronic submissions only, please. Submit cover letter with full contact information, a short author bio, brief synopsis of script — including development and production history (if applicable) — and the full script to Maria Burnham at scripts@ghostlightensemble.com. Please use the following format in the email’s subject line: Nightlight Script Submission: [play name] - [playwright name]. To clarify, the information in brackets should be replaced by the name of your play and your name.

The deadline for submissions is December 31, 2022.

Thursday, March 24, 2022

Make/Believe theatre festival for young audiences returns this summer live, outdoors

Ghostlight Ensemble brings its popular Make/Believe festival back to the stage in 2022 with seven short plays by playwrights from around the country to be presented live, outdoors in July. 

This year’s curated festival features a mix of new and previously performed plays from past Make/Believe festivals, written by both local and national playwrights. The plays, as always, have been written for audiences 10 and under, but are meant to be enjoyed by all ages.

“We are thrilled to bring this festival back to live performances after having to go digital only in 2021,” said Maria Burnham, Make/Believe curator. “Nothing replaces being in the same space with our young audience members and their families and feeling the energy and excitement they bring to Make/Believe.”

The seven stories that make up this year’s festival are filled with young people, plants, puppies and a blue balloon who must face great obstacles to discover who (or what) they’re meant to be. From the Filipino-American girl who is trying to find her way home in Sunshine and the Sea of Lost Things to the littlest fish in the ocean proving all sizes matter in Krill’s Quest, the protagonists in these plays face the types of struggles modern children will recognize from their own lives. 

 All seven plays will be produced on each day of the festival at the new NorthCenter Town Square – an outdoor space in the heart of the NorthCenter neighborhood. Some seating will be available, but audience members are encouraged to bring their own chairs and picnics. The show is free, but donations are always appreciated. 

 Selected scripts are 

  • Asherella by Lori Taylor
  • Best Friends by Adam Eugene Hurst
  • A Blue Hydrangea by Eric Braman
  • Can You Hear the Mermaids Singing? by Rachel Atkins
  • It's Poppin' by Steven San Luis
  • Krill’s Quest by Angelle Whavers
  • Sunshine and the Sea of Lost Things by Sarah Lina Sparks. 
 Make/Believe is made possible, in part, by a grant from the Illinois Arts Council Agency and by support from the NorthCenter Chamber of Commerce. More information will be available on our website at www.ghostlightensemble.com/make-believe-2022

 Make/Believe takes place outdoors on the last three Saturdays in July – July 16, 23 and 30, 2022, at 2:30 p.m. at NorthCenter Town Square (4100 N. Damen Ave., Chicago). 

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Monday, May 24, 2021

Culturally Rich, Diverse Stories Spotlighted in 2nd Annual Festival for Young Audiences

Sunshine And The Sea of Lost Things” is one of six plays that make up the 2021 Make/Believe festival. (From Left: Alexandra Alontaga, Roxy Adviento and Cooper Bohn)

A child with no memory lost at sea, a balloon afraid of soaring through the clouds, a splash of Black Girl Magic. Welcome to year two of Make/Believe, a theatre festival that challenges its young (and young-at-heart) audiences to indulge their imagination and open their minds to all the beautiful, complicated ways life presents itself.

The production features a mix of short plays by local and out-of-state playwrights that were written for audiences 10 and under, but which are also meant to be enjoyed by all ages. This year an emphasis was placed on producing pieces in a way that children watching at home would be able to replicate – so they could “play” Make/Believe at home. The festival has also expanded to include three classes centered around stage craft, to help this next generation of theatre artists craft their own stories and shows at home.

“Make/Believe includes the type of complex storytelling modern children expect from their entertainment,” said Maria Burnham, the curator and producer of Make/Believe. “This is theatre with a message, with deeper meaning, with conflict of morality; it is a reflection of the life they see around them every day.”

Last year’s Make/Believe festival proved wildly popular, with both shows selling out and waiting lists that had to be turned away. While the move to a digital presentation this year was necessitated by COVID-19, the added benefit is that there is no limit to the number of people who can attend and participate.

“While we’ve lost some of the magic that comes with being together, we’ve also loosened the barriers about who has access to both do and see theatre and that isn’t a bad trade,” Burnham said.

The six stories that make up this year’s Make/Believe festival are filled with young people, plants and a puppy who must face great obstacles to discover who (or what) they’re meant to be. From the Filipino-American girl who is trying to find her way home in Sunshine and the Sea of Lost Things to the pink hydrangea that knows it was born to be blue in A Blue Hydrangea, the protagonists in these plays face the types of struggles children will recognize from their own lives.

“For me, the opportunity to direct for Ghostlight Ensemble is an opportunity to show children that grew up like me that there is a place for them in theatre,” said Rashaad A. Bond, director of Best Friends. “It is an opportunity to show them stories they can relate to not just because they are universal truths, but because the people they’re watching look like them as well.”

Selected scripts include:

  • Best Friends, written by Dallas playwright Adam Eugene Hurst, is the story of Brooklyn a dog that wants nothing more but to play and be best friends with Chops. But Chops, a well-worn stuffed animal dog toy, wants nothing to do with that. Best Friends is directed by Rashaad A. Bond. Cast: Dara Brown and Clara Johnson.
  • A Blue Hydrangea, written by Oregon playwright Eric Braman, takes place in the backyard of The Great Gardener Carole, as a hydrangea bush wakes up from its winter slumber. What has always been a fully pink hydrangea bush suddenly has a head of flowers that is blue. The flowers explore the concepts of identity, acceptance and vulnerability as they wait in fear of Carole’s judgement. Blue Hydrangea is directed by Alyssa Vera Ramos. Cast: Ariel Etana Triunfo and Will Pettway.
  • The Friend Box and The Box Friend, written by Chicago playwright Kim Z. Dale, takes place during a school show-and-tell when two friends both bring a very different “friend in a box” as their item and an argument ensues. But both kids come to realize that friendship — even if it comes in virtual or stuffie form — is more important than being right. The Friend Box and The Box Friend is directed by Jonathan M. Saucedo. Cast: Tommy Blackburn, Heather Bronson, Meg Collins and Terri Hudson with Jean Burr, Christopher Mueller, Sydney Ray and Holly Robison.
  • It's Poppin', written by Georgia playwright Steven San Luis, is the story of a young kid who is afraid of moving to a new city and finds themself talking to a blue balloon that is afraid of being let go. Together they find the courage to embrace the unknown ahead of them. It’s Poppin’ is directed by Rebecca Rose Schilsky. Cast: Levi Denton-Hughes and Emmett Wickersham.
  • Splash of Magic, written by Chicago playwright Lori Taylor, is the tale of Diane, an 8-year-old Black girl who is scared to go in the pool without something to keep her afloat. When she discovers her Black Girl Magic, she realizes she can conquer any fear, as long as she believes in the magic that lives inside her. Splash of Magic is directed by Kayla V. White and Aria Caldwell. Cast: Aria Caldwell, Nick Conrad and Toma Lynn Smith.
  • Sunshine and the Sea of Lost Things, written by California playwright Sarah Lina Sparks, follows a young mixed-race Filipino girl, Sunshine, who is stranded on a ship in the Sea of Lost Things. Joining her on the ship are two heroes, Peter and Anagolay, who must navigate her home — wherever that home may be — before she is lost at sea forever. Sunshine and the Sea of Lost Things is directed by Roxy Adviento. Cast: Alexandra Alontaga, Roxy Adviento and Cooper Bohn.

Stagecraft classes will also be available virtually for children as part of this year’s festival. Families can choose from Building the Character — Literally, Building the Story or Building the World. Please note these classes are currently scheduled to run concurrently, so students will only be able to choose one per day. Classes are scheduled for June 5 & 6 only.

More information — including bios, ticket information and class descriptions — is available on our website.

In late 2020, Ghostlight put out a call for scripts for young audiences that were ethnically and culturally diverse, written by writers of color and/or LGBTQ writers and that could be produced virtually. Over 100 short plays were submitted from writers all over the world. Final selections were made in February 2021.

The festival was crafted to appeal to all ages and its “live” weekend run is perfect for families looking for daytime entertainment during a time of year when outdoor events can be unpredictable. Make/Believe takes place Saturday, June 5 and Sunday, June 6, 2021, at 2 p.m. The performances will also be available to stream on-demand through Sunday, July 4.

Tickets are Pay-What-You-Will, with a minimum donation of $1, but a suggested donation of $10 for the performance and $5 per class. By donating more, patrons help offset the cost for those who can’t afford to give.

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.