Showing posts with label theater. Show all posts
Showing posts with label theater. Show all posts

Thursday, June 26, 2025

Job Posting: Stage Manager needed for Angry Fags


Ghostlight Ensemble is seeking a Stage Manager for its fall production of Angry Fags by Topher Payne.

An out lesbian state senator is up for re-election. Her female opponent is a moderate conservative who has aligned herself with right-wing extremists. They’re locked in a tight race in which each side caters to its base and any event can become instantaneously politicized.

When a gay man is bashed with a baseball bat and left to die, his ex-boyfriend, a campaign aide for the incumbent senator, is enraged. But his boss’s unwillingness to label it a hate crime tips him over the edge. Frustration and fear eventually turn to rage and he teams up with his best friend to embark on a vendetta of sabotage and more, reasoning that if gays aren’t respected enough to win justice, fear will achieve what good intentions and politics cannot.

Stage Manager will attend all rehearsals and performances. Rehearsals in September/October 2025. In general, expect three to four rehearsals per week on weeknights or weekend days, to be scheduled according to cast availability.

Production Schedule:

Rehearsals in September and October 2025 on weeknights and/or weekend days

Tech week: Sunday, November 2 in the afternoon and Monday, November 3 through Thursday, November 6 in the evenings

Performances: Show will run Thursday, Friday, and Saturday evenings and Sunday afternoon matinees from Thursday, November 6 through Sunday, November 23, 2025

Strike: Sunday, November 23, 2025

Instructions to Apply: To be considered, please send resume and portfolio/website link to via Google Forms at this link.

Pay Rate: $400 stipend.

Job Posting: Production Team Positions for Angry Fags

Ghostlight Ensemble is seeking several production team roles for its fall production of Angry Fags by Topher Payne. Please review the following.

PLAY SUMMARY
An out lesbian state senator is up for re-election. Her female opponent is a moderate conservative who has aligned herself with right-wing extremists. They’re locked in a tight race in which each side caters to its base and any event can become instantaneously politicized. When a gay man is bashed with a baseball bat and left to die, his ex-boyfriend, a campaign aide for the incumbent senator, is enraged. But his boss’s unwillingness to label it a hate crime tips him over the edge. Frustration and fear eventually turn to rage and he teams up with his best friend to embark on a vendetta of sabotage and more, reasoning that if gays aren’t respected enough to win justice, fear will achieve what good intentions and politics cannot.

KEY DATES
Production team members will be available for virtual production meetings, in-person designer run, tech week, strike, and wardrobe fittings in September-October. Dates confirmed according to cast and production team availability.

PRODUCTION SCHEDULE

  • Rehearsals in September and October 2025 on weeknights and/or weekend days
  • Tech week: Sunday, November 2 in the afternoon and Monday, November 3 through Thursday, November 6 in the evenings
  • Performances: Show will run Thursday, Friday, and Saturday evenings and Sunday afternoon matinees from Thursday, November 6 through Sunday, November 23, 2025
  • Strike: Sunday, November 23, 2025
POSITIONS

1. Costumer
Will dress 7 actors and 2 understudies in modern dress.
Pay Rate/Range: $300 stipend

2. Sound Designer
Pay Rate/Range: $300 stipend

3. Lighting Designer
Lighting Designer will have access to the rep lighting plot for Lifeline Theatre.
Pay Rate/Range: $300 stipend

4. Projection Designer
Pay Rate/Range: $300 stipend

5. Fight & Intimacy Choreographer
Will be responsible for choreographing a brief moment of intimacy and multiple scenes of stage violence including the use of a stage firearm.

Additional Key Dates: Fight & Intimacy Choreographer will be available for anticipated 3-4 rehearsals. Dates confirmed according to cast and production team availability.

 Pay Rate/Range: $150 stipend

6. Scenic & Prop
Pay Rate/Range: $300 stipend

Instructions to Apply: To be considered, please send resume and portfolio/website link via Google Forms at this link. (Select the position you’d like to apply for on the form)


Friday, June 20, 2025

‘Love As A Verb’: Ghostlight Kicks Off its Season Celebrating Otherness with Pride Fundraiser


Ghostlight Ensemble announces its Season 9 lineup, which includes the fall production of Angry Fags by Topher Payne, in a season that will focus on celebrating otherness and uplifting Queer characters and voices.

 “The climate we find ourselves in right now demands action. We cannot be passive in our support or love for communities that find themselves at risk. We, as a theatre company, are in the unique position with our art to center community building,” Co-Artistic Director Justin Broom said.

 The 2025-2026 season will feature two mainstage productions, a play for young audiences, staged readings, a three-part cabaret experience and ongoing collaborations with Chicago area museums. All productions center around love and relationships with an emphasis on queer characters and themes.

 “This is a thrilling season from Ghostlight, with bold and compelling artistic programming that includes full-length productions, theatre for young audiences, immersive performance and cabaret,” Co-Artistic Director Holly Robison said. “Now, more than ever, art is essential, and I hope our season will challenge, inspire, move and comfort our audiences. Art at its best can do all these things and more. I hope our audiences will feel that way too, that our work truly echoes our season’s theme ‘Love is a Verb’.”

Ghostlight will present its first full production, Angry Fags written by Topher Payne and directed by Jack Bowes, in November at Lifeline Theatre in Rogers Park.

 An out lesbian state senator is up for re-election. Her female opponent is a moderate conservative who has aligned herself with right-wing extremists. They’re locked in a tight race in which each side caters to its base and any event can become instantaneously politicized. When a gay man is bashed with a baseball bat and left to die, his ex-boyfriend, a campaign aide for the incumbent senator, is enraged. But his boss’s unwillingness to label it a hate crime tips him over the edge. Frustration and fear eventually turn to rage and he teams up with his best friend to embark on a vendetta of sabotage and more, reasoning that if gays aren’t respected enough to win justice, fear will achieve what good intentions and politics cannot.

 Angry Fags asks how far is too far to protect your community? Where is the line between helping and making things worse?

The production runs November 6-23, 2025, at Lifeline Theatre (6912 N Glenwood Ave, Chicago, IL, 60626).

 In mid-December, Ghostlight and the Driehaus Museum are excited to announce the return of Holiday Spirits: A Collectionof Victorian Yuletide Ghost Stories, a multi-story and multi-storied immersive, site-specific adaptation of classic Victorian ghost stories at the museum. In its second year, the production will expand from one night to three – one for Driehaus museum members and two for the general public. Be prepared to move through the mansion with the actors as they uncover these otherworldly visitors.

 In February, our Nightlight young audience series returns with The 8th Dwarf. The new work by Olivia Sieck tells the story of Binky, an outsider dwarf who, inspired by the kindness and motherly affection of Snow White, longs to find the courage to join the most special of their kind – the dwarves that get to work in the mines. The play shows that courage, kindness and wit matter more than anything and actions mean more than material goods.

 Ghostlight will close out its season in the spring of 2026 with The Dover Road by A.A. Milne (of Winnie-the-Pooh fame), directed by Co-Artistic Director Holly Robison. The Dover Road is set in the home of the eccentric Latimer, who waylays couples who are running away together and gives them a taste of what their lives together might be like by forcing them into sustained exposure to each other's habits and idiosyncrasies. The 1921 comedy is a not-so-subtle dissection of romantic love, but buried beneath is a less obvious commentary on the homosexuality, bisexuality and gender nonconformity that has always existed in society if you knew where to look.

In addition, Ghostlight will produce Ensemble Member Khnemu Menu-Ra’s, 3 Stages of Love, this season. The semi-autobiographical three-part cabaret experience features a blend of Shakespeare and song – along with original pieces. The company also plans a staged reading of Lady Lazarus, a new play in development by Ghostlight collaborator Haley Basil, and Ghostlight will continue its popular Live Movie Reading Series periodically throughout the season, as well as the For Your (Re)Consideration staged reading series, which explores the works of historically overlooked female writers.

“As a queer theatre artist, I think it would be irresponsible of me to not do everything in my power to meet this moment in a way that uplifts, not just our ensemble and audiences, but the community as a whole,” Broom said. “While we need to raise funds for our company to create quality entertainment, there are so many LGBTQ+ organizations that also need our attention and funds right now – particularly those serving our Trans siblings who are especially at risk.”

To meet that need, Ghostlight is also announcing its Love As A Verb fundraising campaign to support our most ambitious season to date and also raise money for two Chicago area LGBTQ+ organizations.

The fundraiser is live with a base goal to raise $5,000 by November. Donations from the fundraiser will go toward artist stipends and production costs with a portion of the proceeds going to local Chicago charities Brave Space Alliance and Gerber Hart Library & Archives.

Brave Space Alliance is a Black, trans-led center on Chicago’s South Side that creates and provides dignified essential services, develops programs and initiatives for individuals and families, co-creates community spaces of care and connection and conducts advocacy on issues that directly impact LGBTQ+ and Black communities.

Gerber Hart Library & Archives collects, preserves and provides access to the history and culture of LGBTQ+ communities in Chicago and the Midwest in order to advance the larger goal of achieving justice and equality.

Those interested in supporting the campaign can visit www.paypal.com/donate?campaign_id=T5TEKLEBFYFGY to make a tax deductible donation to Ghostlight Ensemble. Upon conclusion of the fundraiser, Ghostlight will publish the receipts of donations to other organizations.

The season’s theme, Love As A Verb, is inspired by a passage from All About Love by bell hooks: “The word ‘love’ is most often defined as a noun, yet all the more astute theorists of love acknowledge that we would all love better if we used it as a verb.”

Look for details about the entire 2025-2026 season and Ghostlight Ensemble at GhostlightEnsemble.com.

Thursday, June 19, 2025

Follow Ghostlight on BlueSky


Ghostlight is now on BlueSky! If that is your social media of choice (or just any one you’re a part of), you can find us at @GhostlightETC.bsky.social. Follow us for all the latest news and other Chicago theatre related information. 

 See ya in the Sky…or whatever people are saying!

Monday, September 9, 2024

Up Next: Hunting for Vampires on a School Night: A Live Reading of Buffy the Vampire Slayer


Ghostlight Ensemble presents the next installment of its live movie readings with Hunting for Vampires on a School Night: A live reading of Buffy the Vampire Slayer (the movie) on Wednesday, September 25, 2024. 

Join us at 7 p.m. at Black Eagle Club (1938 W Irving Park Rd, Chicago, IL 60613), as we spike the punch at the senior dance and then join together to burn down that high school gym full of vampires.

Buffy the Vampire Slayer is a 1992 American comedy vampire film (that predates the TV series). Blonde, bouncy Buffy (played in this incarnation by Kristy Swanson) is your typical high school cheerleader — her goal is to "marry Christian Slater and die" and nothing gets in her way when it's time to shop. But all that changes when a strange man informs her she's been chosen by fate to kill vampires. Buffy is soon spending school nights protecting L.A. from Lothos, the Vampire King and his determined gang of bloodsuckers. 

The reading is directed by John Gleason Teske.

There is a suggested donation of $5 at the door, which will help Ghostlight fund its upcoming season.

Tuesday, August 13, 2024

Ghostlight Announces Cast for 'Alabama Story'

Clockwise from upper left: Tom Goodwin, Maria Burnham, Scott Olson,
Khnemu Menu-Ra, Haley Basil and Justin Broom.


Ghostlight Ensemble is pleased to announce the cast of Alabama Story by Kenneth Jones – the company’s first mainstage show since the global COVID-19 Pandemic brought arts organizations and productions around the world to a halt in 2020.The talented ensemble cast has a tremendous level of experience in both the theatre and film scene and will bring their talents to the stage starting in late September.

“This cast is truly fantastic, and I cannot wait to see the excellent performances that are sure to elevate an already meaty, timely script,” Robison said.

The cast includes two Ensemble Members, Co-Artistic Director Justin Broom as Thomas Franklin and Maria Burnham as Emily Wheelock Reed. Rounding out the cast is Scott Olson as Garth Williams, Tom Goodwin as Sen. E.W. Higgins, Khnemu Menu-Ra as Joshua Moore and Haley Basil as Lily Whitfield. Understudies include Adrian Campbell, Mary Jordan, Allison McCorkle and Derek Preston Ray. Ensemble Member and Co-Artistic Director Holly Robison directs.

Alabama Story is a fictional play based on very real events that took place in 1950s Alabama when a children’s book called The Rabbits’ Wedding by illustrator Garth Williams (known for his work on Charlotte’s Web, Stuart Little and Little House on the Prairie) was released. The book tells of two little rabbits – one white, one black – who decide to get married. Though not intended to be political, the book caused a firestorm in the Segregationist South with calls to ban and even burn the book.

The play, set in 1959 Montgomery, Alabama, is the story of a segregationist senator (the fictional-characterization-based-on-a-real-person, Sen. E.W. Higgins) and the state librarian (based on a very real Emily Wheelock Reed) who clash over the content of a children’s book about bunny rabbits. The play contrasts that story with a reunion of childhood friends — a Black man and a woman of white privilege — providing a private counterpoint to the public events swirling in the state capital.

Alabama Story is a drama about censorship, book banning and Civil Rights set within the framework of 1950s racial tensions that parallels the issues facing America today as book bans and book challenges overwhelm libraries and schools across the nation.

Ghostlight will open Alabama Story during Banned Books Week on Let Freedom Read Day, Saturday, September 28. Let Freedom Read Day is a day of action with a call for everyone who stands against book banning to take at least one action to help defend books from censorship. Ghostlight is proud to stand up for the library staff, educators, writers, publishers and booksellers who make books available to all. Learn more about Banned Books week (September 22-28) and Let Freedom Read Day at https://bannedbooksweek.org/let-freedom-read-day.

Alabama Story will take place at two site-specific, book-centric locations: After-Words Bookstore (23 E. Illinois St., Chicago) and Haymarket Books at Haymarket House (800 W Buena Ave, Chicago). There is a preview performance on Friday, September 27 at After-Words Bookstore, followed by performances on Sept. 28-29 and Oct. 4-6, 2024. Performances at Haymarket Books are Oct. 11-13 and Oct. 18-20. Performances begin at 7:30 p.m. on Fridays and Saturdays and at 2:30 p.m. on Sundays.

Tickets are pay-what-you-will, with an average donation of $25, and are available at https://ghostlightensembletheatreco.thundertix.com/. More information about the show can be found at https://www.ghostlightensemble.com/alabama-story.

Ghostlight Ensemble acknowledges support from the Illinois Arts Council Agency. Alabama Story is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service collection.

Ghostlight Ensemble is a registered 501(c)3 nonprofit theatre whose mission it is to ask questions that challenge the status quo through timeless stories, immersive environments and unconventional staging. As an ensemble-based theatre, Ghostlight is made up of individual artists who are dedicated to collaborative creation and committed to working together consistently over years to develop a distinctive body of work. We welcome you to learn more about us at GhostlightEnsemble.com.

Monday, July 15, 2024

Join us for a Season 8 Kickoff Party


Ghostlight Ensemble invites you to join us for an evening of songs, drinks and general merriment at My Buddy’s (4416 N Clark St, Chicago, IL 60640) to kick off our Eighth Season and long-awaited return to mainstage productions and a full season, post-COVID 19 pandemic!

We can’t wait to re-introduce ourselves to you and for you to meet our new artistic management team. At the event you’ll also learn all about our new season, which includes new partnerships with other Chicago institutions and maybe you’ll even see an excerpt from one of the new plays we’ll be bringing you this season. 

There will be karaoke. There will be snacks. There will an open bar from 3-4 p.m. And most of all, there will be fun. 

We’re also raising funds for our Season 8 programming, so we kindly ask for a donation of $10 (or more!) in advance via Eventbrite below or $15 at the door (cash, credit or PayPal). First 25 folks to donate $10 or more will G.E.T. a special Ghostlight Ensemble swag bag!

Wednesday, July 10, 2024

‘It’s About Time’: Ghostlight marks return to full productions post-Covid with its 8th Season beginning in September

Ghostlight Ensemble announces its Season 8 lineup, marking the company’s return to a full production season with two mainstage shows, as well as a Nightlight play for young audiences, staged readings and ongoing collaborations with Chicago area museums.

The company also announces a change in leadership with Ensemble Member and Chicago actor Justin Broom promoted to co-artistic director, along with Ensemble Member Holly Robison. Broom has been with Ghostlight since 2019 and Robison, who was acting as an interim co-artistic director, is a founding member of the company and previously served as artistic director from 2016 to 2019.

“It is a very full-circle moment for me, in a way, to join a company right before we had to move inside (due to the COVID-19 pandemic) to then come out the other end as a leader to help bring Ghostlight back to in-person stages and locations,” Broom said.

“Ghostlight’s mission has always been to ask questions that challenge the status quo through timeless stories via immersive environments and unconventional staging, which very much aligns with my values to making theater,” he continued. “As Co-Artistic Director, I'm excited to offer my perspective and experiences as a Queer theater artist to fulfill our mission in new ways, expand our ensemble and bring Ghostlight back into the Chicago scene.”

Broom first appeared with Ghostlight in 2019 in a reading of The Thirteenth Chair and has been active in the company and the Chicago theatre scene ever since. He holds a Bachelor of Arts in Theater as well as a Bachelor of Arts in Radio, Television and Digital Media from Southern Illinois University.

“I care so much about this company, having been with it from the beginning, and am so happy to continue in this leadership role as Ghostlight emerges from our scaled-back programming during COVID with one of our busiest and exciting seasons yet,” Robison said. “I’m also particularly looking forward to leading with Justin, who has come to be one of the most active and insightful voices within the company.”

Robison is a Chicago-based director, actor and improvisor who has directed An Ideal Husband and Picasso at the Lapin Agile for Ghostlight Ensemble, as well as conceiving the For Your (Re)Consideration series. She has studied directing with various organizations, including the summer program, A Practical Approach to Directing at Yale School of Drama and is a member of Lincoln Center Directors Lab. She is also a cast member and producer with Improvised Jane Austen.

Full bios for both artistic directors are available on our website at GhostlightEnsemble.com/the-ensemble.

The new management team led the selection process for the upcoming season, which celebrates a symphony of creativity that resonates across cultures and time, reminding us that art is a universal language that binds us all.

“We have some amazing projects and collaborations this season, and I can’t wait for audiences to experience them,” Robison said.

Ghostlight will begin its Eighth Season with Alabama Story by Kenneth Jones, a drama about censorship, book banning and Civil Rights set within the framework of 1950s racial tensions. Robison will direct.

Inspired by true events, Alabama Story is a drama about a segregationist senator and the state librarian who clash over the content of a children’s book about bunny rabbits against the backdrop of the Civil Rights movement in Montgomery, Alabama. Political foes, childhood friends and one feisty children’s author inhabit a Deep South of the imagination that brims with humor, heartbreak and hope.

Alabama Story will take place Sept. 27-29 and Oct. 4-6, 2024, at After-Words Bookstore (23 E. Illinois St., Chicago) and Oct. 11-13 and Oct. 18-20, 2024, at Haymarket Books at Haymarket House (800 W Buena Ave, Chicago).

In December, the company expands on its partnership with the Richard H. Driehaus Museum to present Holiday Spirits: A Collection of Victorian Yuletide GhostStories, a multi-story and multi-storied immersive, site-specific adaptation of classic Victorian ghost stories at the museum.

In February, the Nightlight series returns with a full-length produ
ction for young audiences,
Invaders of Mathmatica, written by Ensemble Member Nick Conrad. The original play is a celebration of the arts that argues true riches come from collaboration, not isolation.

And Ghostlight will close out the season in spring 2025 with the world premiere of Drink the Past Dry written by Ensemble Member Maria Burnham. The site-specific piece is set and will take place at a nondescript neighborhood bar in the middle of Chicago that looks like every other bar in every other neighborhood. But this bar has a secret. It can take you anywhere in time. All you have to do is take a drink.

In addition, the For Your (Re)Consideration staged reading series will return in 2025, with its ongoing mission to explore the works of historically overlooked female writers. And Ghostlight will continue its popular Live Movie Reading Series throughout the year. Plus, the company has several other surprises brewing.

To celebrate its return to full productions (and a full season) after the COVID-19 pandemic, Ghostlight is hosting a Season Kick-Off event at My Buddy’s (4416 N Clark St, Chicago) on Saturday, August 10. Join us for an insider look at all our shows, exciting news of new partnerships and performance opportunities and a chance to chat with the new artistic team and Ensemble members, as well as karaoke, raffle/auction items, free drinks and more. 

Look for details about the Season Kick-Off event, the entire 2024-2025 season and Ghostlight Ensemble at GhostlightEnsemble.com.

Ghostlight Ensemble is a registered 501(c)3 nonprofit theatre whose mission it is to ask questions that challenge the status quo through timeless stories, immersive environments and unconventional staging. As an ensemble-based theatre, Ghostlight is made up of individual artists who are dedicated to collaborative creation and committed to working together consistently over years to develop a distinctive body of work. We welcome you to learn more about us at GhostlightEnsemble.com.

Tuesday, May 16, 2023

Power of believing in one’s self takes center stage for Ghostlight's Make/Believe theatre festival for young audiences in May, June


An ant who wishes to explore the world beyond her family’s territory, a grandmother and granddaughter superhero duo and a helpful house spirit are among the cast of characters found in the fourth installment of GhostlightEnsemble’s Make/Believe short play festival for young audiences this year.

Ghostlight is excited to feature five new plays for young audience members to enjoy this summer with their family and friends, said festival producer Caryn Brieschke. For the first time more than half the plays are by local playwrights.

“These stories are fun for children to watch, but are also crucial to helping them understand the increasingly complex feelings they develop as they grow older and providing them with tools to deal with complicated situations they may find themselves in,” Brieschke added.

Filled with the power of believing in yourself, new adventures and family bonds, the five stories that make up this year’s festival are filled with characters who face the types of struggles modern children will recognize from their own lives. 

This year’s plays include:

  • The Thing That Comes to the Basement is written by Chicago playwright Lori Taylor and directed by Lo Williams. In The Thing That Comes to the Basement, Camilla Antie, an 8-year-old ant, discovers that just because someone looks different than you, does not mean they are frightening or that they cannot become your friend. Starring: Courtney Marie, Sydney Ray and Hannah Strauss.
  •  Hannah and Halmoni Save the World! is written by Chicago playwright Juliet Kang Huneke and is directed by Karina Patel. By day, Hannah is a 7-year-old girl who lives with her Korean American grandma. But by night, grandma transforms into a SUPERHERO named Halmoni (that’s the Korean word for grandma, if you were wondering)! But when it’s Hannah’s turn to be the hero, not the sidekick, can she step up and save the day? Hannah and Halmoni Save the World champions asking for help, self-forgiveness and super awesome theme songs for the young AND old among us. Starring: Rick Hilscher, Kristen Lin Waagner and Emily Zhang.
  • The Edge of Play is written by Utah playwright Janine Sobeck Knighton and directed by Eileen Tull. The Edge of Play tells the story of Ada, an imaginative 8-year-old girl who loves slides but gets really nervous around other kids. With help from her unique friend Mo, she learns that it’s OK to need a little extra help and support to do the things that scare you the most. Starring: Christine Marie and Kaela Rosenbaum.
  • Finding Belief is written by Portland playwright Kwik Jones and directed by Kate Sullivan Coombs. Even with encouragement from her father, Ivy, a young girl discouraged by her tennis match losses, lives in a world of doubt – that is until Dunlop, her tennis racket, comes to life and ushers her on a short journey to rescue her Belief from the evil tennis ball, Doubt. Ivy must find courage to save Belief. With the help of the audience will Ivy find and save Belief? Starring: Alexis Aranda, Josh Bomba, Nick Conrad and Rissa Montañez.
  • Guardian of the House (Τόπακας) is written by Chicago playwright and Ghostlight Ensemble Member Maria Burnham and directed by Whitney Minarik. A young girl, tired of all the new chores she has to do since her little sister arrived, learns the value of family and sticking together from the genii of her house. Steeped in Greek folklore, Guardian of the House will feature traditional Hellenic storytelling and puppetry. Starring Rose Leisner and Gina Sanfillipo.


Make/Believe is scheduled to take place on Saturday, May 27; Sunday, May 28; Saturday, June 3 and Sunday, June 4, at 1:30 p.m. at NorthCenter Town Square (4100 N. Damen Ave., Chicago).

 All five plays will be produced on each day of the festival at the NorthCenter Town Square – an outdoor space in the heart of the NorthCenter neighborhood. Audience members are encouraged to bring their own chairs and picnics. The show is free, but donations are always appreciated. However, some limited reserve seating is available via Eventbrite.

 Make/Believe is produced by Caryn Brieschke and is made possible, in part, by a grant from the Illinois Arts Council Agency and by support from the NorthCenter Chamber of Commerce. More information will be available on our website at www.ghostlightensemble.com/make-believe-2023.

Make/Believe is part of Ghostlight’s Nightlight young audience series, which features original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Ghostlight Ensemble is a registered 501(c)3 nonprofit theatre whose mission it is to ask questions that challenge the status quo through timeless stories, immersive environments and unconventional staging. As an ensemble-based theatre, Ghostlight is made up of individual artists who are dedicated to collaborative creation and committed to working together consistently over years to develop a distinctive body of work. We welcome you to learn more about us at GhostlightEnsemble.com.

 

Wednesday, October 12, 2022

Call for scripts: Seeking short children's plays for 4nd annual Make/Believe festival

Ghostlight Ensemble is seeking short scripts (a maximum of 15 minutes) that are geared toward young audiences. Priority will be placed on scripts that are ethnically and culturally diverse, and written by writers of color and/or LGBTQ writers. This is open to playwrights in any geographic area, though writers in the greater Chicago area will receive priority. NO FEE.

Playwrights will receive $25 per selected script.

Selected plays will be produced in the late spring of 2022 as part of the fourth annual Make/Believe festival of theatre for children under our Nightlight banner. (Learn more about the 2020 festival, the 2021 festival and the 2022 festival with these links.) The performances will be held live, with a location or locations TBD.

Please pay close attention to the script requirements. Scripts that do not meet the following criteria will not be considered.

Requirements

  • A maximum of 3 actors per script. There are no restrictions, however, on the number of characters. Please note, that while some directors have chosen to use child actors in past pieces, the intent of this festival is to perform for children, not with children.
  • Plays must have minimal to no technical demands, as there is a possibility these plays will be performed outside and/or in multiple locations. There may be no lighting or backstage area, although minimal sound cues will be available.
  • Must fit our mission.
  • Geared toward children 11 and under. Please, NO scripts about high school students.
  • All props, set pieces and costumes must be easily made at home by actors (and children watching who want to stage their own productions at home).
  • Pieces can be previously produced, but cannot have a production running concurrently with Make/Believe.

Electronic submissions only, please. Submit cover letter with full contact information, a short author bio, brief synopsis of script — including development and production history (if applicable) — and the full script to Maria Burnham at scripts@ghostlightensemble.com. Please use the following format in the email’s subject line: Nightlight Script Submission: [play name] - [playwright name]. To clarify, the information in brackets should be replaced by the name of your play and your name.

The deadline for submissions is December 31, 2022.

Thursday, March 24, 2022

Make/Believe theatre festival for young audiences returns this summer live, outdoors

Ghostlight Ensemble brings its popular Make/Believe festival back to the stage in 2022 with seven short plays by playwrights from around the country to be presented live, outdoors in July. 

This year’s curated festival features a mix of new and previously performed plays from past Make/Believe festivals, written by both local and national playwrights. The plays, as always, have been written for audiences 10 and under, but are meant to be enjoyed by all ages.

“We are thrilled to bring this festival back to live performances after having to go digital only in 2021,” said Maria Burnham, Make/Believe curator. “Nothing replaces being in the same space with our young audience members and their families and feeling the energy and excitement they bring to Make/Believe.”

The seven stories that make up this year’s festival are filled with young people, plants, puppies and a blue balloon who must face great obstacles to discover who (or what) they’re meant to be. From the Filipino-American girl who is trying to find her way home in Sunshine and the Sea of Lost Things to the littlest fish in the ocean proving all sizes matter in Krill’s Quest, the protagonists in these plays face the types of struggles modern children will recognize from their own lives. 

 All seven plays will be produced on each day of the festival at the new NorthCenter Town Square – an outdoor space in the heart of the NorthCenter neighborhood. Some seating will be available, but audience members are encouraged to bring their own chairs and picnics. The show is free, but donations are always appreciated. 

 Selected scripts are 

  • Asherella by Lori Taylor
  • Best Friends by Adam Eugene Hurst
  • A Blue Hydrangea by Eric Braman
  • Can You Hear the Mermaids Singing? by Rachel Atkins
  • It's Poppin' by Steven San Luis
  • Krill’s Quest by Angelle Whavers
  • Sunshine and the Sea of Lost Things by Sarah Lina Sparks. 
 Make/Believe is made possible, in part, by a grant from the Illinois Arts Council Agency and by support from the NorthCenter Chamber of Commerce. More information will be available on our website at www.ghostlightensemble.com/make-believe-2022

 Make/Believe takes place outdoors on the last three Saturdays in July – July 16, 23 and 30, 2022, at 2:30 p.m. at NorthCenter Town Square (4100 N. Damen Ave., Chicago). 

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Monday, May 24, 2021

Culturally Rich, Diverse Stories Spotlighted in 2nd Annual Festival for Young Audiences

Sunshine And The Sea of Lost Things” is one of six plays that make up the 2021 Make/Believe festival. (From Left: Alexandra Alontaga, Roxy Adviento and Cooper Bohn)

A child with no memory lost at sea, a balloon afraid of soaring through the clouds, a splash of Black Girl Magic. Welcome to year two of Make/Believe, a theatre festival that challenges its young (and young-at-heart) audiences to indulge their imagination and open their minds to all the beautiful, complicated ways life presents itself.

The production features a mix of short plays by local and out-of-state playwrights that were written for audiences 10 and under, but which are also meant to be enjoyed by all ages. This year an emphasis was placed on producing pieces in a way that children watching at home would be able to replicate – so they could “play” Make/Believe at home. The festival has also expanded to include three classes centered around stage craft, to help this next generation of theatre artists craft their own stories and shows at home.

“Make/Believe includes the type of complex storytelling modern children expect from their entertainment,” said Maria Burnham, the curator and producer of Make/Believe. “This is theatre with a message, with deeper meaning, with conflict of morality; it is a reflection of the life they see around them every day.”

Last year’s Make/Believe festival proved wildly popular, with both shows selling out and waiting lists that had to be turned away. While the move to a digital presentation this year was necessitated by COVID-19, the added benefit is that there is no limit to the number of people who can attend and participate.

“While we’ve lost some of the magic that comes with being together, we’ve also loosened the barriers about who has access to both do and see theatre and that isn’t a bad trade,” Burnham said.

The six stories that make up this year’s Make/Believe festival are filled with young people, plants and a puppy who must face great obstacles to discover who (or what) they’re meant to be. From the Filipino-American girl who is trying to find her way home in Sunshine and the Sea of Lost Things to the pink hydrangea that knows it was born to be blue in A Blue Hydrangea, the protagonists in these plays face the types of struggles children will recognize from their own lives.

“For me, the opportunity to direct for Ghostlight Ensemble is an opportunity to show children that grew up like me that there is a place for them in theatre,” said Rashaad A. Bond, director of Best Friends. “It is an opportunity to show them stories they can relate to not just because they are universal truths, but because the people they’re watching look like them as well.”

Selected scripts include:

  • Best Friends, written by Dallas playwright Adam Eugene Hurst, is the story of Brooklyn a dog that wants nothing more but to play and be best friends with Chops. But Chops, a well-worn stuffed animal dog toy, wants nothing to do with that. Best Friends is directed by Rashaad A. Bond. Cast: Dara Brown and Clara Johnson.
  • A Blue Hydrangea, written by Oregon playwright Eric Braman, takes place in the backyard of The Great Gardener Carole, as a hydrangea bush wakes up from its winter slumber. What has always been a fully pink hydrangea bush suddenly has a head of flowers that is blue. The flowers explore the concepts of identity, acceptance and vulnerability as they wait in fear of Carole’s judgement. Blue Hydrangea is directed by Alyssa Vera Ramos. Cast: Ariel Etana Triunfo and Will Pettway.
  • The Friend Box and The Box Friend, written by Chicago playwright Kim Z. Dale, takes place during a school show-and-tell when two friends both bring a very different “friend in a box” as their item and an argument ensues. But both kids come to realize that friendship — even if it comes in virtual or stuffie form — is more important than being right. The Friend Box and The Box Friend is directed by Jonathan M. Saucedo. Cast: Tommy Blackburn, Heather Bronson, Meg Collins and Terri Hudson with Jean Burr, Christopher Mueller, Sydney Ray and Holly Robison.
  • It's Poppin', written by Georgia playwright Steven San Luis, is the story of a young kid who is afraid of moving to a new city and finds themself talking to a blue balloon that is afraid of being let go. Together they find the courage to embrace the unknown ahead of them. It’s Poppin’ is directed by Rebecca Rose Schilsky. Cast: Levi Denton-Hughes and Emmett Wickersham.
  • Splash of Magic, written by Chicago playwright Lori Taylor, is the tale of Diane, an 8-year-old Black girl who is scared to go in the pool without something to keep her afloat. When she discovers her Black Girl Magic, she realizes she can conquer any fear, as long as she believes in the magic that lives inside her. Splash of Magic is directed by Kayla V. White and Aria Caldwell. Cast: Aria Caldwell, Nick Conrad and Toma Lynn Smith.
  • Sunshine and the Sea of Lost Things, written by California playwright Sarah Lina Sparks, follows a young mixed-race Filipino girl, Sunshine, who is stranded on a ship in the Sea of Lost Things. Joining her on the ship are two heroes, Peter and Anagolay, who must navigate her home — wherever that home may be — before she is lost at sea forever. Sunshine and the Sea of Lost Things is directed by Roxy Adviento. Cast: Alexandra Alontaga, Roxy Adviento and Cooper Bohn.

Stagecraft classes will also be available virtually for children as part of this year’s festival. Families can choose from Building the Character — Literally, Building the Story or Building the World. Please note these classes are currently scheduled to run concurrently, so students will only be able to choose one per day. Classes are scheduled for June 5 & 6 only.

More information — including bios, ticket information and class descriptions — is available on our website.

In late 2020, Ghostlight put out a call for scripts for young audiences that were ethnically and culturally diverse, written by writers of color and/or LGBTQ writers and that could be produced virtually. Over 100 short plays were submitted from writers all over the world. Final selections were made in February 2021.

The festival was crafted to appeal to all ages and its “live” weekend run is perfect for families looking for daytime entertainment during a time of year when outdoor events can be unpredictable. Make/Believe takes place Saturday, June 5 and Sunday, June 6, 2021, at 2 p.m. The performances will also be available to stream on-demand through Sunday, July 4.

Tickets are Pay-What-You-Will, with a minimum donation of $1, but a suggested donation of $10 for the performance and $5 per class. By donating more, patrons help offset the cost for those who can’t afford to give.

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

Tuesday, April 13, 2021

Toll of war on those devalued by society examined in Mine Eyes Have Seen, War Brides


Ghostlight Ensemble continues its series on historically overlooked female playwrights with two one act plays — Mine Eyes Have Seen by Alice Dunbar Nelson and War Brides by Marion Craig Wentworth — that deal with wars and the battles families are forced to fight amongst themselves when someone is called to “serve.”

What attracted director Angelisa Gillyard to these scripts is their examination of war not from the soldier’s point of view, but as it is experienced by those left behind when soldiers go off to fight.

“Coming from a family in which many of the men have served in the military and fought on the front lines of war, I was immediately intrigued by Mine Eyes Have Seen,” Gillyard said. “I wondered how they came to their decisions to serve. Did they struggle with determining to whom they owe their greatest duty — family or country?  

“I also wanted to explore war from a woman’s point of view, and thus War Brides was a natural choice.  Women’s voices are not typically heard in conversations about war and this play brings them to the forefront.”

Written in the final years of World War I, Mine Eyes Have Seen is the story of a Black family that fled the South after the father’s lynching. His wife dies of heartbreak leaving their three children to fend for themselves. The children are now young adults, but Lucy, the youngest, and Dan, the oldest, are reliant on their brother, Chris, to support them. When Chris is drafted, he is forced to wrestle with the idea of serving a country that has not served his family. The play is an examination on the nature of patriotism, citizenship, sacrifice and what those mean for people who have been betrayed by their own country.

Published in 1915, War Brides looks at the role of women in supporting war at the home front, and the expectations that they willingly send their husbands and sons to die in wars. It highlights one woman’s determination, after her loss of a husband and brothers to war, to no longer become a tool for war. The play also demands that if women are expected to work and sacrifice for war, they should be given full voice in the decisions to go to war.

The cast for both shows is: Tai Alexander, Charles Franklin, Marcus John, Sydney Johnson, Ben Lauer, Bryanda Minix, Deidre Staples and Lindsay Williams. Angelisa Gillyard is a Washington, D.C.-based director who has worked with Young Playwrights’ Theater, Arena Stage, In Series, Studio Theatre, Freshh Theatre Inc, University of Maryland and Montgomery College. Full bios of the actors, director and playwright will be available on Ghostlight’s website.

The initial broadcast of Mine Eyes Have Seen and War Brides takes place over Zoom at 2 p.m. on Sunday, April 18, and a talkback with the director will take place immediately following. A recording of the performance will be available to stream through May 9.

Tickets are pay what you will, with a minimum of $5 per reading and the average donation for such virtual offerings at $15. Tickets are available on our website at GhostlightEnsemble.com/For-Your-Reconsideration. Please make sure to select the production and performance you are interested in receiving a link to view. 

Featuring a variety of distinct voices and styles from different historical periods, For Your (Re)Consideration seeks to bring attention to remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race. The series is curated by Ensemble Member Holly Robison. 

The initial play in the series, The Convent of Pleasure, written by Margaret Cavendish and directed by Andrew Coopman, premiered on April 2 and is now streaming on-demand, as is Distinguished Villa, written by Kate O’Brien and directed by Elizabeth Lovelady, which premiered on April 11.

Additional upcoming readings include: 

  • April 25: Warp and Woof by Edith Lyttelton, directed by Christina Casano
  • May 2:  The Enchantment by Victoria Benedictsson, adapted by Clare Bayley, directed by Holly Robison

Find out more about For Your (Re)Consideration and the entire 2020-2021 Season at  GhostlightEnsemble.com.

Thursday, April 8, 2021

An Exploration Of Gender And Desire Takes The Digital Stage In ‘Distinguished Villa’

Ghostlight Ensemble continues its series on historically overlooked female playwrights with Distinguished Villa, a play by the Irish playwright Kate O’Brien dealing with the suffocating consequences that can come from the trappings of middle-class life.

Though written in 1926, Distinguished Villa, has a modernness to it and a feeling of relevancy that time has proved many of O’Brien’s male counterparts lack, according to director Elizabeth Lovelady. 

“When I read Distinguished Villa, I was amazed with how contemporary it felt, particularly in regard to the way it challenged gender norms and represented female sexuality,” Lovelady said. “While these characters were born of another era, their interior battles are strikingly similar to those we all currently face. I think it serves as a reminder of the many commonalities humans have across time and distance.”

Distinguished Villa portrays the desperate lives led by the commuting class. In it, Mabel Hemworth boasts she and her husband "are known round here as the model of what a married couple should be." But the arrival and then potential departure of a female lodger makes Mabel’s husband realize he is, in fact, profoundly miserable. Frances meanwhile has developed a mutually loving relationship with another man. This is not a story with a happily ever after ending, however.

In the play, we see the seeds of what later became a hallmark of O'Brien's work — groundbreaking depictions of the sexual frustrations of women and an understanding of the wide diversity of sexuality and gender expression.

The cast is: August Forman, Christian Cook, Micah Figueroa, Allison McCorkle, Jordan Ford and Kim Fukawa. Full bios of the actors, director and playwright are available on Ghostlight’s website at www.ghostlightensemble.com/distinguished-villa

The initial broadcast of Distinguished Villa takes place over Zoom at 2 p.m. on Sunday, April 11, and a talkback with the director will take place immediately following. A recording of the performance will be available to stream through May 9.

Tickets are pay what you will, with a minimum of $5 per reading and the average donation for such virtual offerings at $15. Tickets are available on our website at GhostlightEnsemble.com/For-Your-Reconsideration. Please make sure to select the production and performance you are interested in receiving a link to view. 

Distinguished Villa is part of For Your (Re)Consideration. Featuring a variety of distinct voices and styles from different historical periods, For Your (Re)Consideration seeks to bring attention to remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race. The series is curated by Ensemble Member Holly Robison.  

The initial play in the series, The Convent of Pleasure, written by Margaret Cavendish and directed by Andrew Coopman, premiered on April 2 and is now streaming on-demand.

Additional upcoming readings include: 

  • April 18: Mine Eyes Have Seen by Alice Dunbar Nelson and War Brides by Marion Craig Wentworth, directed by Angelisa Gillyard
  • April 25: Warp and Woof by Edith Lyttelton, directed by Christina Casano
  • May 2:  The Enchantment by Victoria Benedictsson, adapted by Clare Bayley, directed by Holly Robison

Find out more about For Your (Re)Consideration and the entire 2020-2021 Season at GhostlightEnsemble.com.

Tuesday, March 23, 2021

Exploration of Queerness and romance takes the digital stage as part of For Your (Re)Consideration series


Ghostlight Ensemble launches its new reading series, For Your (Re)Consideration, which explores the works of historically overlooked female playwrights, with The Convent of Pleasure by Margaret Cavendish at 2 p.m. on Sunday, April 4.

Written in 1688, The Convent of Pleasure tells the story of a group of unmarried women, initiated by Lady Happy, who choose to avoid the pains or displeasures that exist in a male-dominated world and instead create their own community, or convent, of pleasure to create their own perfect, self-functioning society. This virtual reading is directed by Seattle-based Storytelling Interdisciplinary Artist Andrew Coopman.

What drew Coopman to the piece is it is one of the earliest examples of not just queer narrative, but non-binary narrative as well.

The Convent of Pleasure is a story of two women falling in love and fighting against the cultural expectations placed upon them,” they explained. “And the REALLY wild part is that one of the two primary characters changes gender with no explanation during that last act, which her husband wrote. What could be overlooked or simply labeled a cross-dressing character is, I believe, something much more complex and beautiful and kick-ass and resilient.

The Convent of Pleasure is a great example of how history has erased and suppressed LGBTQ+ identity for comfort and ease, making it seem like a revolutionary or rebel idea of the last century or so,” Coopman continued. “But this beautiful romantic comedy is also a great example of the Queer community’s resilience and determination throughout history. We are Queer, we have been Queer, we have always been here, and it’s time to recognize and celebrate our story… and that’s why audiences should come watch our play.”

The cast includes: Ensemble Member Song Marshall with Lotus Lindez, Cynthia Becker, Sagen Berry, Sebastian Summers, Aria Caldwell, Ira McIntosh and KJ Snyder.

As a director, choreographer, devisor, performer, playwright and teaching artist, Coopman has worked in a variety of theaters around the country including Seattle, New York City, Milwaukee and the Chicagoland area. Directing credits include: RE: Social/Divide (Cooperative Performance), Into The Woods (Studio East), Wilde Tales (Seattle Opera), James & The Giant Peach (Village Theater), Little Women The Musical (Seattle Musical Theatre) and the premier of The Sunflower Sisters (Eclectic Theater).

The initial broadcast of The Convent of Pleasure takes place over Zoom at 2 p.m. on Sunday, April 4, and a talkback with the director will take place immediately following. A recording of the performance will be available afterward to stream through the end of April.

Tickets are pay what you will, with a minimum of $5 per reading and the average donation for such virtual offerings at $15. By donating more, if you are able, you help offset the cost for those who can’t afford to give. Tickets are available on the For Your (Re)Consideration page. Please make sure to select the production and performance you are interested in receiving a link to view.

Featuring a variety of distinct voices and styles from different historical periods, the virtual readings that make up For Your (Re)Consideration seek to bring attention to remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race.

Sometimes referred to as the Other Canon, the work of these early female playwrights dates from Hrotsvitha in the 10th Century to Dorothy C. Guinn in the 1920s. Their plays are as much the building blocks of modern theatre as those of their male counterparts. Some good, some great, some successful in their time, some way ahead of their time, these women have found themselves all but erased from history and rarely, if ever, produced today.

The series is curated by Ensemble Member Holly Robison, who said she struck on the idea for the series a few years ago when she came across The Enchantment by Victoria Benedictsson, who was said to be an inspiration for Hedda Gabler and Miss Julie.

“I thought it was absurd that those plays are heralded as classics and performed all the time, but I had never even heard of Benedictsson or her play,” Robison said. “I started thinking — what else was missed because the author was a woman? Or what plays and playwrights were never cultivated?”

Additional upcoming readings include:
  • April 11: Distinguished Villa by Kate O’Brien, directed by Elizabeth Lovelady
  • April 18: Mine Eyes Have Seen by Alice Dunbar Nelson, directed by Angelisa Gillyard
  • May 2: The Enchantment by Victoria Benedictsson, adapted by Clare Bayley, directed by Holly Robison
Additional scripts are being finalized.

Find out more about For Your (Re)Consideration and the entire 2020-2021 Season at GhostlightEnsemble.com.

Monday, February 8, 2021

Plays selected for Make/Believe festival in June


A talking balloon, a girl stranded in the Sea of Lost Things, a school show and tell via Zoom. Welcome to the scripts that make up Make/Believe 2021

Make/Believe is a theatre festival that challenges its young – and young at heart – audiences to throw out the way things have always been done and indulge their imagination. 

More than 100 scripts were submitted from all over the world for consideration in 2021’s festival. The short plays had to be adaptable to both virtual and live performances. Script selection was made earlier this month. Virtual performances are scheduled for June. 

Make/Believe is part of our Nightlight young audiences series, which produces original, adapted and forgotten plays geared toward children and the adults who love them.


Selected scripts include: 
  • Best Friends, by Dallas playwright Adam Eugene Hurst, tells the story of Brooklyn, a dog that wants nothing more but to play and be best friends with Chops. But Chops, a well worn stuffed animal dog toy, wants nothing to do with that. 
  • A Blue Hydrangea, by Oregon playwright Eric Braman, takes place in the backyard of The Great Gardener Carole, as a hydrangea bush wakes up from its winter slumber. What has always been a fully pink hydrangea bush suddenly has a head of flowers that are blue. The flowers explore the concepts of identity, acceptance and vulnerability as they wait in fear of Carole’s judgement. 
  • The Friend Box and The Box Friend, by Chicago playwright Kim Z. Dale, takes place during a school show and tell when two friends both bring a very different “friend in a box” as their item and an argument ensues. But both boys come to realize that friendship — even if it comes in virtual or stuffie form — is more important than being right. 
  • It's Poppin' , by Georgia playwright Steven San Luis, is the story of a young girl who is afraid of moving to a new city and a blue balloon that is afraid of being let go. Together they find the courage to embrace the unknown ahead of them. 
  • Splash of Magic, by Chicago playwright Lori Taylor, teaches boys and girls to overcome their fears by believing in themselves. Diane is an eight-year-old black girl who is scared to go in the pool without something to keep her afloat. When she discovers her black girl magic, she realizes she can conquer any fear as long as she believes in the magic that lives inside her. 
  • Sunshine and the Sea of Lost Things, by California playwright Sarah Lina Sparks, follows a young mixed race Filipino girl, Sunshine, who is stranded on a ship in the Sea of Lost Things. Joining her on the ship are two heroes, Peter and Anagolay, who must navigate her home — wherever that home may be — before she is lost at sea forever.