‘Picasso At The Lapin Agile’ Opens on Friday

Ghostlight Ensemble will tackle the age-old debate of which is more valuable to society: art or science with its fall production, Picasso at the Lapin Agile.

The absurdist comedy by American humorist Steve Martin imagines a meeting between Albert Einstein and Pablo Picasso in a Parisian cafe in 1904, just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter sets the art world afire with cubism.

Ghostlight’s production will explore the struggles and similarities between science and art, but also between genius and fame, big ideas and mere notions and optimism of the new and skepticism of the familiar.

“The play imagines the absurd and mundane in the lives of two men who really did go on to impact the world and alter history,” Director Holly Robison said. “With Picasso, we are asked to consider the men as much as the myth, to see their flaws, silliness, insecurities, hopes and dreams, as much as their towering legacies.  The mythic men are humanized. We can see ourselves in them and understand their desires.

“Even if we are not all geniuses, we all, to some degree, have the same flicker of desire to create, to inspire, to change the world and leave something behind.”

 The show stars: Maggie Antonijevic (The Countess/Female Admirer), Norman J. Burt (Charles Dabernow Schmendiman), Zach Finch (Albert Einstein), Joe Dougherty (A Visitor), Sean Harklerode (Gaston), Miona Lee (Germaine), Tim Lee (Freddy), Kat Moraros (Sagot), Sebastian Summers (Pablo Picasso) and Alejandra Vivanco (Suzanne).
Picasso at the Lapin Agile runs October 19, 2018, through November 4, 2018, at the Otherworld Theatre’s new home at 3914 N. Clark Street in Chicago. Performances are Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. with one industry evening performance at 7:30 p.m. on Monday, October 22, 2018. Tickets are $20 General Admission, $15 Seniors and Students and available in advance through Brown Paper Tickets.

Find out more about Ghostlight Ensemble and its entire 2018-2019 Season here.

Update: Stage Manager needed for Picasso at the Lapin Agile for Tech & Performances only

 Ghostlight Ensemble seeks a Stage Manager for the run of its production of Steve Martin's Picasso at the Lapin Agile. The absurdist comedy imagines a meeting between Albert Einstein and Pablo Picasso just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter sets the art world afire with cubism.

In addition to the usual duties, the stage manager will be required to act as light/sound board operator for performances.

This position is only needed to fill tech week and performances, not rehearsals. The performance stage manager will begin attending rehearsals no later than October 12 or 13, taking over from the current stage manager, who will meet with the candidate and provide updated cues and notes at a paper tech, which will be scheduled according to availability.

Schedule Details
Tech week is October 15-18, evenings only. Load-in is scheduled for Sunday, October 14.
Performances run October 19 through November 4, 2018, on Friday and Saturday at 8 p.m. and Sunday at 2 p.m. with one industry performance at 7:30 p.m. on Monday, October 22. All performances are at Otherworld Theatre in the Lakeview neighborhood in Chicago.

Stipend
A small stipend will be available for this position.

More information about the production is available at http://www.ghostlightensemble.com/picasso

To Apply

Please send your resume and a statement of interest to production manager Chad Wise at chad@ghostlightensemble.com.

Costume Designer needed for 'Picasso at the Lapin Agile'

Ghostlight Ensemble seeks a Costume Designer for its production of Steve Martin's Picasso at the Lapin Agile. The absurdist comedy imagines a meeting between Albert Einstein and Pablo Picasso just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter sets the art world afire with cubism.

This production will involve sourcing costumes for 10 actors. The play takes place in a single location on a single day.

Schedule Details
Rehearsals begin September 10, 2018, with about 3 to 4 rehearsals a week on weeknights and weekends, crafted around the actors' schedules. Tech is scheduled for October 15-18 in the evenings. Load-in is scheduled for Sunday, October 14.

Performances run October 19 through November 4, 2018, on Friday and Saturday evenings and Sunday afternoons at Otherworld Theatre in the Lakeview neighborhood in Chicago.

Stipend
The stipend for this position is $150.

Apply
Please send your resume, links to any relevant work/websites and a statement of interest to production manager Chad Wise at chad@ghostlightensemble.com.

More information about the production is available at http://www.ghostlightensemble.com/picasso

Stage Manager Needed for Picasso at the Lapin Agile

Ghostlight Ensemble seeks a Stage Manager for its production of Steve Martin's Picasso at the Lapin Agile. The absurdist comedy imagines a meeting between Albert Einstein and Pablo Picasso just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter sets the art world afire with cubism.

In addition to the usual duties, the stage manager will be required to act as light/sound board operator for performances.

Schedule Details
Rehearsals begin September 10, 2018, with about 3 to 4 rehearsals a week on weeknights and weekends, crafted around the actors' scheduled. Tech is scheduled for October 15-18 in the evenings. Load-in is scheduled for Sunday, October 14.

Performances run October 19 through November 4, 2018, on Friday and Saturday evenings and Sunday afternoons at Otherworld Theatre in the Lakeview neighborhood in Chicago.

Stipend
The stipend for this position is $150.

To Apply
Please send your resume and a statement of interest to production manager Chad Wise at chad@ghostlightensemble.com.

Steve Martin, Oscar Wilde Part Of Ghostlight Ensemble’s Second Season

Ghostlight Ensemble will tackle the age-old debate of which is more valuable to society: art or science, and will probe the perils of building a wall to keep out unwanted children during its 2018-2019 Season.

This fall, Artistic Director Holly Robison directs Steve Martin’s Picasso at the Lapin Agile – an absurdist comedy that imagines a meeting between Albert Einstein and Pablo Picasso in a Parisian cafe in 1904, just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter sets the art world afire with cubism.

 Ghostlight’s production will explore the struggles and similarities between science and art, but also between genius and fame, big ideas and mere notions and optimism of the new and skepticism of the familiar.

“The play imagines the absurd and mundane in the lives of two men who really did go on to impact the world and alter history,” Robison said. “With Picasso, we are asked to consider the men as much as the myth, to see their flaws, silliness, insecurities, hopes and dreams, as much as their towering legacies. The mythic men are humanized. We can see ourselves in them and understand their desires.

“Even if we are not all geniuses, we all to some degree have the same flicker of desire to create, to inspire, to change the world and leave something behind.”

Picasso at the Lapin Agile runs October 19, 2018, through November 4, 2018, at the Otherworld Theatre’s new home at 3914 N. Clark Street in Chicago. The show will have performances on Friday and Saturday evenings and Sunday afternoon matinees, with an industry night performance on Monday, October 22.

The company will continue its Nightlight young audiences series next summer with a new adaptation of Oscar Wilde’s children’s story The Selfish Giant, written by Ensemble Member Maria Burnham.

The Selfish Giant is a tale of a giant who owns a beautiful garden, in which the village children love to play. The giant has been away for 12 years and upon returning is outraged to see the children enjoying themselves on his land. He builds a wall to keep them out and puts up a notice that reads: “TRESPASSERS WILL BE PROSECUTED.” But without the children, the garden falls into perpetual winter and the Selfish Giant finds himself isolated and all alone. Despite this bleak beginning, the story ultimately has a happy ending.

Nightlight is Ghostlight’s summer young audiences series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight.

In its second full season, the company will also host a holiday cabaret this December and continue its popular Live Movie Reading Series.

Next up in the Live Movie Reading Series batting order is: You're Killing Me, Smalls: A Live Reading of The Sandlot. The reading, celebrating the 25th anniversary of this coming-of-age story set during the summer of 1962, takes place at 7:30 p.m. Monday, July 16, at My Buddy's (4416 N. Clark Street, Chicago, IL 60640) and is directed by Carolyn Minor.

Find out more about Ghostlight Ensemble and its entire 2018-2019 Season at GhostlightEnsemble.com.

Ghostlight Ensemble is a registered 501(c)3 nonprofit theatre whose mission it is to shed light on the human experience and provoke communal connections beyond the edge of the stage.