Ghostlight Ensemble Goes Online For Season Four

Ghostlight Ensemble announced its Season 4 lineup, which brings back two popular offerings and introduces a new reading series of historically overlooked female playwrights. This season the company will present its offerings online, with the hopes of moving back to the stage in the summer of 2021.

“We're all diving into unknown territory with our medium moving into a digital world, but ultimately that unknown is what Ghostlight has been about since the beginning,” said Co-Artistic Director Miona Lee. “The landscape of theatre is rapidly changing,” added Co-Artistic Director Kayla White. “I'm really looking forward to leading Ghostlight to be a force of positive change in the Chicago theatre scene, to dismantle old traditions and build an inclusive, anti-racist and SAFE place to create theatre together.”

Ghostlight will begin its fourth season in December with a perennial winter favorite, the Holiday Cabernet – an evening of holiday classics (or not-so-classics) by favorite G.E.T. performers, emerging artists and surprise guests in a virtual setting with a host filled with holiday spirits! Taking the emcee mic this year is the glamorous Coco Sho-Nell, a Chicago-based drag performer with roots in musical theatre.

Acts range from comedians and clowns to musicians, dancers and more. Artists include: Comedy Dance Collective, Daija Nealy, Danielle Levsky, Improvised Jane Austen, Nate Perez & Anneliese Ayers, Nitty Gritty, Plucky Rosenthal and Tyler Ross.

In addition, last year’s vendor area proved so popular, that we’re bringing it back in virtual form this year. Peruse the online offerings before, during and after the show and support independent artists while scoring unique gifts that everyone will be buzzed about.

The live, but virtual, Holiday Cabernet takes place at 8 p.m. on Saturday, December 12. Additional details, including artist bios, vendor wares and how to reserve tickets are available on our website.

In the new year, Ghostlight will launch its new reading series, For Your (Re)Consideration, which will explore the works of historically overlooked female playwrights. Featuring a variety of distinct voices and styles from different historical periods, the virtual readings will be scheduled throughout the season and seek to bring attention to these remarkable women who have been sidelined by history for reasons that had nothing to do with their talent and everything to do with their gender and, in many cases, their race.

Rounding out the season in June, the company will once again present Make/Believe, a curated festival of short plays by playwrights from around the country geared towards children 10 and under. Last year’s performances played to sold out houses. This year, Ghostlight plans to offer both a virtual version and a live, outdoor version, as health guidelines permit.

Plays are currently being solicited and script selection will be made in early January. Playwrights interested in submitting to the festival can find more details on the Ghostlight website.

“I honestly don't know how we'll see Ghostlight evolve over the next year,” Lee said. “I can tell you that we will never stop pushing to ask the tough questions and bring our audiences thought-provoking work.”

Find out more about Ghostlight Ensemble and the entire 2020-2021 Season at GhostlightEnsemble.com.

Holiday Cabernet 3: A Call for Performers

Ghostlight Ensemble invites poets, dancers, artists, storytellers, comedians and musicians to perform at our third annual Holiday Cabernet fundraiser on December 12. We welcome performers of diverse skills and talents at this virtual event.

Filmed performances should be 5-10 minutes in length and themed to any of the winter holidays. Show off your talents in spoken word, slam poetry, improv, dancing, comedy, music or any medium of your choice. The Cabernet is an excellent opportunity to try out new material in front of a friendly, supportive audience.

Due to the COVID-19 pandemic, this year’s Cabernet will take place virtually. Acts will be pre-recorded, but the event will feature a live emcee to introduce the pieces.

Please submit acts, along with an artistic bio and statement (if applicable), to Jean at casting@ghostlightensemble.com. Deadline for submissions is November 9

Proceeds from the event will be divided evenly between performers and Ghostlight Ensemble.

The event takes place on Saturday, December 12.

Call for scripts: Seeking short children's plays for 2nd annual Make/Believe festival

Ghostlight Ensemble is seeking short scripts (a maximum of 15 minutes) that are geared toward young audiences. Priority will be placed on scripts that are ethnically and culturally diverse, and written by writers of color and/or LGBTQ writers. This is open to playwrights in any geographic area, though writers in the greater Chicago area will receive priority. NO FEE.

Playwrights will receive $25 per selected script.

Selected plays will be produced in June 2021 as part of the second annual Make/Believe festival of theatre for children under our Nightlight banner. (Learn more about the 2020 festival here.) We are planning for a virtual performance, which means the pieces will be filmed and made available to audiences in any geographic area, but only for a limited time; and tentatively for live performances. A note on virtual performances: After the performance dates, the pieces will not be shown in full again without the playwright’s permission, although Ghostlight reserves the right to use excerpts of the performances in future promotional and marketing videos.

Please pay close attention to the script requirements. Scripts that do not meet the following criteria will not be considered.

Requirements

• A maximum of 3 actors per script. There are no restrictions, however, on the number of characters. Please note, that while some directors have chosen to use child actors in past pieces, the intent of this festival is to perform for children, not with children. 
• Plays must be adaptable to virtual and live performances. 
• Must fit our mission. 
• Geared toward children 10 and under. Please, NO scripts about high school students. 
• All props, set pieces and costumes must be easily made at home by actors (and children watching who want to stage their own productions at home). 
•  Pieces can be previously produced, but cannot have a production running concurrently with Make/Believe.

Electronic submissions only, please. Submit cover letter with full contact information, short bio, brief synopsis of script including development and production history (if applicable) and full script to Maria Burnham at scripts@ghostlightensemble.com. Please use the following format in the email’s subject line: Nightlight Script Submission: [play name] - [playwright name]

The deadline for submissions is December 31, 2020.

Ghostlight announces change in leadership: Kayla V. White takes over as co-artistic director

Ghostlight Ensemble Member Kayla V. White has been promoted to co-artistic director as the storefront theatre company looks ahead to its next season with a focus on lifting up disenfranchised voices and navigating the unprecedented arts landscape that has resulted from the COVID-19 pandemic.

White joins Miona Lee as co-artistic leader of the company, taking over from Maria Burnham, who voluntarily stepped down to open a leadership position for an artist of color. Burnham remains with the company.

“As a Black, queer woman, being the new co-artistic director for Ghostlight Ensemble Theatre is a particularly exciting opportunity for me,” White said. “I’m so grateful to my theatre family for being ready and willing to learn and grow by centering marginalized voices like mine in our community.

“One thing I’m really looking forward to in this role is working with Ghostlight to be a force of positive change in the Chicago theatre scene. The landscape of theatre is rapidly changing and we can (and will!) dismantle old traditions and build an inclusive, anti-racist and SAFE place to create theatre together.”

White joined Ghostlight Ensemble last year after working as an actress with the company on several productions and readings. She holds a BFA in Music Theatre from Illinois Wesleyan University and in Chicago has worked with Strawdog Theatre Company, Clock Productions and Hairpin Arts, among others. Her full bio can be found here.

“As a performer, Kayla has a passion and energy about her that makes you want to watch. The more I have gotten to know her, I’ve learned that she brings the same drive and passion to everything she does,” Lee said. “With our constant drive to bring new voices, perspectives and stories to the light, Kayla is a natural fit as an artistic director. I cannot be more excited to be working with her.”

Added Burnham, “Part of Ghostlight’s mission has been to challenge the status quo, but how can we effectively do that when we look like the structures that have been put in place to establish and uphold that dynamic? That is why I’m excited to follow Kayla as she leads this company into its next chapter. In addition to being extraordinarily talented and passionate, Kayla has a great vision for what theater can be and Ghostlight’s part in it.”

The company is currently developing its plan for the 2020-2021 season, which will largely take place in the digital realm, after cutting its 2019-2020 season short due to safety concerns associated with the COVID-19 pandemic. An announcement is expected soon.

The power of imagination takes center stage in Ghostlight’s festival of new works for young audiences

Cereal royalty, a monster that eats words, the source of all black girl magic, a unique bird that tastes bad. Welcome to Make/Believe, a theatre festival that challenges its young – and young at heart – audiences to throw out the way things have always been done and indulge their imagination.

The production features a mix of short plays by local and out-of-state playwrights that were written for audiences 12 and under, but which are also meant to be enjoyed by all ages.

“Make/Believe is an expansion of our Nightlight young audiences series, which has always sought to tell compelling stories for children that do not talk down to them, but help make sense of the world around them while also letting them know that it is still OK to play,” said Maria Burnham, Ghostlight’s co-artistic director.

The eight stories that make up this year’s Make/Believe festival are filled with young women who turn convention on its head. From the young heroines in Epic Tales from the Land of Melanin who reclaim their own stories – and the power that comes along with them – to that classic victim of folklore, Little Red Riding Hood, who decides a feminist fairy tale is more her style, the heroines of these plays face the types of figurative monsters modern children will recognize from their own lives.

Selected scripts include:

• Asherella, by Chicago playwright Lori Taylor, is a take on Cinderella where the heroines are African-American females and the person rescued is a young white male. Asher lives at home with his cruel stepmother and cruel stepbrothers. With the help of The One, an African-American magical being who is the source of all black girl magic, Asher is able to escape his cruel family and live in the castle with the ruler of the queendom. Asherella is directed by Laila Rodriques.
• In Ava’s First Escape Room, by Chicago playwright Kim Z. Dale, Ava, Jack and Gus are locked together in an escape room as an optional add on to a school field trip. The strange thing about this escape room is there is nothing in it: No puzzles or clues to solve. To make matters worse, Ava and the boys are not friends. As the boys loudly and ineffectually try to bust out of the room, Ava gets tired of dealing with them, and takes matters into her own hands. Ava’s First Escape Room is directed by Jill Olson Stuck.
• Based on histories of real-life women of color and non-Eurocentric fairytales, Epic Tales from the Land of Melanin tells a hilarious, imaginative adventure tale of three girl warrior-explorers taking on the world. Along the journey, our fierce young heroes must attempt to reclaim the power that was stolen from them and their people. Epic Tales From the Land of Melanin was originally devised by Chicago artists Guadalís Del Carmen, Mariana Green, Brandi Lee, Maya Mackrandilal, Enid Muñoz, Alyssa Vera Ramos, Deanalís Resto, Ana Velazquez and Teresa Zoríc with FEMelanin; and is directed by Deanalís Resto.
• Little Red Reboot, by New York playwright Sonya Sobieski, is a modern mash-up of the Little Red Riding Hood and Goldilocks tales, in which two rebellious females we think we already know break the rules of storytelling and theatre to get to a happy ending. Little Red Reboot is directed by Kristin Schoenback.
• The Queen of Cocoa Puffs and the Cap’n Crunch King, by Brooklyn playwright Corey Pajka, is the story of what happens when a pair of sovereign siblings sit down for breakfast with two hearty appetites and one cereal box between them. A battle cry is heard across the kingdom of New Brunswick. There will be blood—and perhaps orange juice. The Queen of Cocoa Puffs and the Cap’n Crunch King is directed by John Gleason Teske.
• Scaredy Friends is the story of a small girl and a monster that eats her words when she screams. But it turns out the monster isn’t evil — like the little girl, it is scared. This discovery, told through words and physical theatre, changes the course of their relationship forever. Scaredy Friends is written and directed by Chicago performing artist Carolyn Minor.
• Snow White, Who Is Also Called Becky, No Rebecca...and the Frog Prince, by Oak Park-based playwrights Jack Helbig and Margaret Helbig, is the story of a father and a daughter who collaborate on the writing of an original fairy tale. Unfortunately, they have different ideas of what makes a good fairy tale. Fortunately, they keep writing. Snow White, Who Is Also Called Becky, No Rebecca...and the Frog Prince is directed by Lizzy May.
• Stinky Bird, by Los Angeles playwright Seth Freeman, is the story of a young bird who is forced to come to terms with her unique and challenging background. Stinky Bird is directed by Jackie Bowes.

All eight plays will be produced on both days of the festival. The festival is curated by Ghostlight Ensemble Co-Artistic Director Maria Burnham.

Ghostlight put out a call for scripts for young audiences that featured strong female characters and collected submissions from around the world during the fall of 2019. Over 350 short plays were submitted. Final selections were made in late November.

The festival was crafted to appeal to all ages and its weekend run is perfect for families looking for live, daytime entertainment during a time of year when family-friendly activities are not as plentiful. Make/Believe takes place Saturday, February 22 and Sunday, February 23, 2020, at 2 p.m. at Laugh Out Loud Theater Chicago in the North Center neighborhood (3851 N. Lincoln Ave.). Tickets are on sale now via Brown Paper Tickets: $15 adults, $5 children 12 and under, or $25 family of four.

Nightlight is Ghostlight’s young audience series with original, adapted and forgotten plays geared toward children and the adults who love them. Ghostlight believes theatre can be a beacon for children, letting them know they aren’t alone in the world, giving them a sense of security and revealing the truth that in stories they can be anything they want to be. You’re never too young – or too old – for a nightlight. 

Up Next: A Live Reading of Charlie's Angels

Ghostlight Ensemble presents the next installment of its ongoing live movie reading series with Flip Your Goddamn Hair: A Live Reading of Charlie’s Angels (2000 edition).

So get ready for all the flying muffins and flying kicks that one movie theatre bar can hold! Join us at 7:30 p.m. on Monday, February 17 at Carbon Arc Bar & Board (4614 N Lincoln Ave, Chicago, IL 60625), located in the Davis Theater in North Center.

Charlie’s Angels is a 2000 American action comedy film about three women working at a private detective agency in Los Angeles for a mysterious boss they've never seen. Their client has hired them to retrieve stolen voice-ID software — which they do using martial arts, tech skills and sex appeal — only to find out the baddies are actually after something else entirely.

The live reading is directed by Emma Jo Schumacher.

Because our readings can quickly become standing room only, Carbon Arc suggests making a reservation if you'd like a table (they have delicious food and drink!). You can do so here.

There is a suggested donation of $5 at the door, which will help Ghostlight fund its current season.